Great undergrad thesis on the rise, fall and rebirth of the band Weezer, written for a Harvard social studies degree.
Utilizing the institutional framework and terminology Pierre Bourdieu establishes in his "Market of Symbolic Goods," I frame rock music as a middlebrow art that regards itself as possessing certain elements of highbrow "legitimate" art -- namely "symbolic value" beyond a work's value as a market commodity. I then use this institutional framework and aesthetic ideology to investigate the process by which Weezer's reputation changed dramatically over time. Examining data from several sources: an original survey of 150 music writers, an original survey of 20,000 Weezer fans, original interviews with music writers and editors, and an analysis of a sample of 2000 articles and reviews mentioning Weezer, I argue that a strong fan following led to a reconsideration of Weezer's artistic merits by the music press and altered the vocabulary used to discuss the band. I ultimately conclude that a number of parties play a role in deliberating claims of artistic value in rock music: music writers, artists, fans, and the commercial interests that employ writers and artists.
You’d be forgiven for thinking the videocassette format long-dead, but it turns out that Betamax is still around. Sony is finally going to withdraw tapes from sale, bringing a 40-year story to an end. The last recorders were sold in 2002. ベータビデオカセットおよびマイクロMVカセットテープ出荷終了のお知らせ [Sony; via The Verge]
A leaked Comcast memo discloses that the company’s consumer data caps have nothing to do with network congestion, contrary to its public claims. The internet service provider has often complained (such as when lobbying against net neutrality) that it must impose limits on service to prevent network congestion. The argument suggests that these measures are […]
LA Makerspace co-founder Tara Tiger Brown shares a project that her kid-friendly maker workshop is trying to make a reality.
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