Grampa was switched off when Sean found him on the ward, which throbbed with a coleslaw of laser-light and video games and fuck-pix and explosions and car wrecks and fractals and atrocities.Link Discuss
Sean remembered visits before the old man was committed, he and his dutiful father visiting the impeccable apartment in the slate house in Kingston, Ontario. Grampa made tea and conversation, both perfectly executed and without soul. It drove Sean's father bugfuck, and he'd inevitably have a displaced tantrum at Sean in the car on the way home. The first time Grampa had switched on in Sean's presence -- it was when Sean was trying out a prototype of Enemies of Art against his father's own As All Right-Thinking People Know -- it had scared Sean stupid.
Grampa had been in maintenance mode, running through a series of isometric stretching exercises in one corner while Sean and his father had it out. Then, suddenly, Grampa was between them, arguing both sides with machinegun passion and lucidity, running an intellect so furious it appeared to be steam-driven. Sean's tongue died in his mouth. He was made wordless by this vibrant, violent intellect that hid inside Grampa. Grampa and his father had traded extemporaneous barbs until Grampa abruptly switched back off during one of Sean's father's rebuttals, conceding the point in an unconvincing, mechanical tone. Sean's father stalked out of the house and roared out of the driveway then, moving with such speed that if Sean hadn't been right on his heels, he wouldn't have been able to get in the car before his father took off.
I write books. My latest is a YA science fiction novel called Homeland (it's the sequel to Little Brother). More books: Rapture of the Nerds (a novel, with Charlie Stross); With a Little Help (short stories); and The Great Big Beautiful Tomorrow (novella and nonfic). I speak all over the place and I tweet and tumble, too.