After three years, my cow-orker Seth Schoen has broken his hard silence and admitted to writing the DeCSS haiku. In this poem, the algortihm necessary for playing back DVDs is expressed as a series of haiku, despite the fact that such publication is banned under the Digital Millennium Copyright Act. In this essay, he explains his motivations and the procedure he went through:
Writing the bulk of the poem itself took me around 15 hours over the course of several days, excluding the CSS tables (whose construction I describe below). As Leigh Ann Hildebrand observed, there were classical influences at work in my efforts; I realized immediately that I would need to begin with an invocation of the Muse. (My poetic skills were not up to constructing dactyllic hexameters, and I had already settled on the haiku form.) I used Prof. Touretzky's article "The CSS Decryption Algorithm" as my main source for the technical details, but I set myself a strict rule against using hexadecimal constants, because they seemed unpoetic. Everything had to come back into decimal form, because a number is a number. I also felt that it was important to include passages honoring and praising heroes (even using an epithet in the traditional epic way: "wise Andreas Bogk", only partly metri causa) together with a substantial amount of context. After all, one of the ways long poetry maintains interest is by telling several stories at once, and by painting scenery. Finally, I felt that expressing the fear of censorship directly and repeatedly within the poem itself created an interesting tension. It emphasized that the poem had really been written by a human author with a human voice and his own interests and passions. Aware of the prospect of censorship, the poem confronts would-be censors directly and takes them to task. By contrast, most source code is relatively defenseless: it can't fight against its own suppression, and it gives less direct evidence of being in a human voice, leading some people to accept its stigmatization as "merely mechanical" or "merely functional". I feel that it is essential that the poem constantly pleads for its own life -- an effect accomplished comically yet powerfully by Joe Wecker in "Descramble (This Function Is Void)"
I asked Amy Parness, the co-founder of Sparkle Labs, maker of fantastic educational electronics kits, to write a Medium post about gender and the business of being a maker business person. Her terrific essay calls out the problems with “pink girly engineering kits.” From Medium:
Zero UI is the new term for “invisible interfaces”—what happens in the future when all the clicking and tapping and typing is history: “If you look at the history of computing, starting with the jacquard loom in 1801, humans have always had to interact with machines in a really abstract, complex way.” [Fast Company]
It’s time for a power upgrade — throw out that tired-out power strip and swap in this family-size USB charger, packed with 6 high-speed ports. With a built-in control chip, Kinkoo optimizes each port to ensure the fastest charging possible for all your devices. The Kinkoo is made from high-grade and durable materials so you […]
Watching Netflix, Hulu or other streaming services can unfortunately be difficult while traveling outside the US. Rather than bypass these restrictions with the help of a complex and slow VPN, choose a faster and simpler solution with Getflix. Instead of rerouting all your Internet traffic through a different server, this handy service only routes the […]
Shake, stir, and muddle your way to delicious homemade cocktails with this must-have bar set. Expect only the finest quality tools from MakersKit — enabling you to unleash your inner mixologist.Top 12 Favorite Things of 2014, Sunset MagazineQuart-size vintage-style Mason jar shakerRetro double jigger for accurate measurementsStrainer & spouts for a mixologist-style smooth pourHardwood muddler […]