A poli-sci prof from Rollins College has written what looks like a very good muckraking book about the relationship of Walt Disney World to the temporal authorities in Florida, called "Married to the Mouse":
Disney World, in its agreement with the city of Orlando and the state of Florida, actually negotiated the right to construct and use a nuclear power plant at the amusement park. True, it has never built one, but according to this well-researched, cogently argued and eye-opening account of the complicated relationship between the Disney Company and the city of Orlando, it's a sign of the high price that Orlando has paid to become the home of "the most popular tourist destination in the world." A privately held corporation, Disney has created what amounts to an independently governed country "a sort of Vatican with mouse ears" within Orlando, says Foglesong, professor of politics at Rollins College. For example, Disney competed for (and won) bond money, which ultimately paid for new sewers to accommodate its own expansion rather than for low-income housing in a county already strapped with the influx of Disney workers. When the Orlando Sentinel ran a series offering "tepid" criticism of Disney's bad-neighbor policy, the paper was banned from the theme park. In his litany of Disney's major and minor infractions, Foglesong never fails to shed light on the nuances of the situation. Even more than a critique of Disney, Foglesong's book takes a fascinating, important and entertaining look at contemporary problems in urbanology, city planning and, certainly, business ethics.
I asked Amy Parness, the co-founder of Sparkle Labs, maker of fantastic educational electronics kits, to write a Medium post about gender and the business of being a maker business person. Her terrific essay calls out the problems with “pink girly engineering kits.” From Medium:
Zero UI is the new term for “invisible interfaces”—what happens in the future when all the clicking and tapping and typing is history: “If you look at the history of computing, starting with the jacquard loom in 1801, humans have always had to interact with machines in a really abstract, complex way.” [Fast Company]
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