Remember our previous blog-posts here on Boing Boing about The Lonely Island
guys who were recently hired on Saturday Night Live? Well, this Saturday night is the opening night of the 31st SNL season, and I filed a story for Wired News about the long internet road that led to forthcoming TV debut of "the three dudes".
Live from New York, it's -- three comic talents who first made a name for themselves on the internet.
Andy Samberg will become a performing member of Saturday Night Live's 31st season cast debuting Oct. 1, while Jorma Taccone and Akiva Schaffer have joined the show as writers.
But all three got their first big break online, thanks in part to the viral popularity of video shorts they released on the net.
In a move that may have helped fuel rapid grass-roots distribution, the comics released their work under Creative Commons licenses, which essentially let anyone copy a given work for free provided that person doesn't try to profit from it.
) Read the rest
Earlier this month, I pointed
to a New York Times preview of "The Perfect Medium: Photography and the Occult
" at New York's Metropolitan Museum of Art. Today's NYT takes a deeper look at the exhibition with a long review and narrated slideshow by Michael Kimmelman. (Seen here, detail of "Henri Robin and a Specter" (1863) by Eugene Thibault.)
From the text:
The exhibition's deeper subject is the dreamer in all of us. The art in these ham-fisted photographs of transparent tomfoolery, such as it is, is generally not formal but mystical. I don't mean that the images of spirits and ectoplasms and mediums lofting card tables into the air are believable (although they are, I suppose, if you wish them to be). I mean that they inevitably sail past their intended goal, which is to document the unbelievable, and end up in a realm of higher truth. They remind us that art is a wonderment defying logic.
How else to describe, except in terms of wonderment, the deliciousness of the implausible image of the French medium Marguerite Beuttinger accompanied by her twin spirit, a trick of double exposure that evidently fooled somebody at one point. A blurry Marguerite is standing beside a seated Marguerite whose body is so slight that it makes her look like her own dwarf twin. The effect is marvelous, as is the multiple exposure of the ghost of Bernadette Soubirous, in white robes, gliding under a trellis, gradually evaporating into a brick wall.
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Earlier this month, the BBC ran a documentary called "Child Prodigies: Too Much Too Young?" Here's a very odd clip from the program showing a woman subjecting her toddler to absurdly fast flashcard "training," including a game that could be called "Name the Dictator." Link
to RealVideo clip, Link
to program page (via Mason Inman's Moonshine Lard Man) Read the rest
Otherworld Excursions offers guided tours run by famous role-playing game designers who take you hiking through rural and urban treks, immersing you in the role-playing elements of the natural environment:
See the occult architecture of Chicago as only Kenneth Hite can show it to you--then use this knowledge to survive (or, at least, be the last one to lose their mind) in an original roleplaying adventure of eldritch horror!
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The Windy City is the birthplace of urban horror. Riding on the L with a faceless mass of drones being herded back to their soul-crushing jobs, Fritz Leiber looked out across the sooty rooftops and envisioned the kinds of ghosts that the metropolis demanded. In his classic novel Our Lady of Darkness, Leiber invented the arcane science of megapolisomancy, the magic of cities. Or so the story goes.
Is it possible that Leiber didn't create a fictional concept, but instead revealed a hidden truth? Were the street plans for the great American cities laid out like circuit boards to channel psychic energies, with steel-girdled skyscrapers designed as capacitors to store up these forces until they were needed for some cosmic ritual? (The Ghostbusters script could well be calculated misinformation, or a nod to fellow initiates).
If anyone knows what's really going on, it is Kenneth Hite. Guided by his uncanny mastery of Things Man Was Not Meant to Know, you'll spend a Saturday afternoon inspecting the architectural evidence. Then head downtown to the Hotel Intercontinental--which was constructed as an athletic club for the Medinah Shriners, but may serve another purpose for their secret masters.
My friend Greg Costikyan -- an award-winning game designer of such classics as Toon and Paranoia -- has co-founded a new "indy label" for games called Manifesto Games:
Game industry veterans Greg Costikyan and Johnny Wilson announced today that they are joining forces to launch Manifesto Games, a new venture to build a strong and viable independent game industry. Its site will offer independently-developed games for sale via direct download--a single place where fans of offbeat and niche games can find "the best of the rest," the games that the retail channel doesn't think worth carrying. Three types of games will be offered: truly independent, original content from creators without publisher funding; the best PC games from smaller PC game publishers, including games in existing genres like wargames, flight sims, and graphic adventures; and niche MMOs.
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While games were once the domain of hobbyists, today, the game industry considers any title that sells fewer than 1 million copies to be a failure; "The typical game store only has 200 facings," notes Costikyan, Manifesto’s CEO., "They can only carry best-sellers. On the Internet, there is no shelf space and you are limited only by how well you can market yourself, your site. This is where niche product can rule." Manifesto believes that an independent game market is analogous to film or music, where less commercial offerings aimed at identifiable markets and produced at lower budgets than the "blockbusters" can achieve profitability and critical success.
"The game industry has become moribund,” notes Costikyan.
This is awesome. It's like combat sous vide
"Honeybees that defend their colonies by killing wasps with body heat come within 5°C of cooking themselves in the process, according to a study in China. At least two species of honeybees there, the native Apis cerana and the introduced European honeybee, Apis mellifera, engulf a wasp in a living ball of defenders and heat the predator to death."
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I wrote an op-ed for the Los Angeles Times
on the class action suit filed last week against the Google Print Library Project by the Authors Guild, a biographer of Abraham Lincoln, a children's book author and a former U.S. poet laureate.
Bottom line? Lawers, unclench: this should be considered fair use.
Google will make its money by selling ads next to book search result pages, just as it does when you search for images or Web pages – but the company says it won't show ads on pages that display books from libraries.
Read the rest
(...)[T]his isn't the same as the recording industry's war on file-sharing or the Motion Picture Assn. of America's battles against DVD bootleggers. Google isn't pirating books. They're giving away previews. And in order to provide those keyword-searchable peeks, Google may have to scan entire books. For example, let's say you're a pug aficionado. A search on print.google.com for "tiara" + "pug" can't point you to the instructive masterpiece "Putting Party Hats on Dogs" unless the scan process got all the way to page 237, where the chapter "Princess Tea Parties for Toy Breeds" begins. OK, there is no such book, but work with me here.
Perhaps the Authors Guild members would prefer that search companies pay them for the right to build book search services. If Google has its way, their logic goes, we'll lose control over who can copy our work, and we'll lose sales. But Internet history proves the opposite is true. Any product that is more easily found online can be more easily sold.
My friend James Glanz wrote a piece for last Sunday's New York Times
about "the menacing, half-lit world inhabited by the network of Iraqi stringers that Western news organizations rely on." One of those stringers, a man who worked with Glanz, was murdered earlier this month.
As important as they are for people around the globe who want to know what is happening in Iraq, the stringers cut only a shadowy profile outside the newsrooms where they send their reports - by choice, because their lives are continually under threat. Who the stringers are, how and why they do their work comes into much sharper focus for the Western journalists who work with them. And, sooner or later, the Western journalist gains a vivid appreciation of the risks the Iraqis run in helping to collect the news. But even with us, there are limits; we aren't seen much together outside of work; we do not share their family celebrations.
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One week ago, a different stringer from the one who had been merely warned met with a much more tragic fate. Men claiming to be police officers showed up at the home of Fakher Haider, a stringer in the southern city of Basra who worked primarily with The New York Times, and took him away in front of his family. Mr. Haider was found dead hours later.
Exactly why Mr. Haider was murdered, and whether it was related to his work for this newspaper, have not been determined. But he had just filed a report on clashes between British forces in the area and members of a militia that has infiltrated the Basra police force but is loyal to the radical Shiite cleric Moktada al-Sadr.
Snip from New York Times story:
[C]ome Saturday it will look as if a tornado had picked up a Prada store and dropped it on a desolate strip of U.S. 90 in West Texas. That is where Prada Marfa, a permanent sculpture by the Berlin artists Michael Elmgreen and Ingar Dragset will be installed. (Actually it will go up in Valentine, Tex., about 26 miles outside Marfa, a town of 2,400 that has become a magnet for artists and art lovers.) The sculpture is meant to look like a Prada store, with minimalist white stucco walls and a window display housing real Prada shoes and handbags from the fall collection. But there is no working door.
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Disclaimer: Suicide Girls is a Boing Boing sponsor.
Responding to a Boing Boing post from earlier today, Steve Simitzis of Suicide Girls says:
Well, since you posted about the criminal case (which isn't over yet), the case is United States vs Chad Grant, not Suicide Girls vs Chad Grant. It's a criminal case - your post would imply that it's a civil dispute between us and him, which it's not. We reported the intrusion to the FBI, and from there, the government decides whether or not to prosecute. I already gave my testimony (yesterday) so I feel okay talking about it.
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But anyway, the reason why the two situations (the criminal case and the upcoming government crackdown) are connected:
During the investigation, the FBI asked us to provide them a list of every single photo set that contains bondage, blood play, urination, etc. In short, anything a jury might find "obscene". The idea was that the defense would try to discredit SG by displaying in graphic detail how we're disgusting and therefore evil. And the prosecution wanted to be ready for this attack, by knowing everything we had in advance, so they could either try to downplay it or make some other point about it. Either way they wanted to be prepared. But of course that's irrelevant to the case, since the defendant (a) also worked for an "adult entertainment" company, and (b) we're not on trial anyway - he is, for computer intrusion.
So, as requested, we started assembling the list of photos containing said naughty content, when news of the upcoming crackdown started to surface.
I bought a fresh can of self-defense spray at my friendly neighborhood weapons depot last week. "Sabre" is a potent mix of military-grade tear gas and pepper spray. It's at least a few times stronger than Chanel Number 5. and at $9 each, it's about twelve times cheaper. One detail on the packaging was really funny, though. On the back side of the box (partial scan shown above), a series of line drawings depicting potentially threatening foes you might need to use it on, or situations you might use it in. One of them is a blonde teen "student" smoking a cigarette, seated beneath a school sports pennant, and it's not entirely clear whether he's a victim or an aggressor. Link to full size. Read the rest
Leon Holliman Jr., 37, of Jacksonville, Florida was reported missing from the River Region Human Services facility last month. On Sunday, he was found in North Carolina dressed like a doctor and driving a stolen ambulance with a dead deer in the back. The police had to shoot out the ambulance's tires to catch him. He's now undergoing psychiatric evaluation. From the Associated Press:
"I don't know how the man got it up in there," said Sgt. Robert Pearson. "It was a six point buck."
It wasn't known where Holliman got the deer, which had been dead for some time, Pearson said. Link
Apparently, Holliman was nabbed and released earlier in the weekend for other unusual behavior. From EMS Network:
Lieutenant Scott Nanney says officers saw the man with a wheelchair near the hospital.
"Actually he was in the wheelchair riding it in the middle of the road and intoxicated. So, that's when officers decided to take him into jail for four hours."
Police say the man wasn't charged with anything in the wheelchair incident.
He was only taken to jail for his safety, until he was sober enough to leave.
Link (Thanks, Paul Saffo!) Read the rest
Chicago artist Taylor Hokanson constructed a massive computer keyboard that you type on with a sledgehammer. Temporary Services, the art group behind the amazing Prisoners' Inventions
project from a few years ago, is exhibiting the Sledgehammer Keyboard at their Chicago experimental art/culture space Mess Hall on Saturday and Sunday. Temporary Services member Salem Collo-Julin says: "Users will be able to try it out for the first time this coming weekend during a street fair that's happening outside of Mess Hall. You slam your message into the keys, and your message is projected into our space."Link
to Taylor Hokanson's site, Link
to Mess Hall Read the rest
It seems that the breeding behind the huge variety of roses and other ornamental flowers now available has also inadvertently diminished the flowers' scents. In an excellent Science News article, Ivan Amato examines why today's ornamentals don't smell as good as they once did. He also discusses how flower scientists are looking at ways to resurrect lost scents and even engineer new ones. From the article:
"Pigment compounds are derived from the same biochemical precursors [as scent compounds are], so it makes sense that if you make more of one you get less of the other," notes floral-scent biochemist and geneticist Eran Pichersky of the University of Michigan in Ann Arbor.
Floral scent may be dwindling because breeders for the $30 billion ornamental-flower industry pay scant attention to this most emblematic attribute of flowers. "In order of [commercial] priority, color is number 1 through 10," says Alan Blowers, head of flower biotechnology for Ball Helix, a biotech company in West Chicago, Ill., devoted to the ornamental-plant industry. Beyond color, breeders have been targeting improvements in flower longevity, shape, size, disease resistance, and other traits likely to improve the growers' bottom lines.
Fragrance is different. It's invisible, and its sensory impression is as subjective as taste.
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hacked together an Apple ][ emulator for the PSP. (Only works on PSP firmware 1.50. Don't upgrade. If you did, MAKE: Blog points to a downgrader. Link
) Time to bust out those classic Karateka chops!
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