Today's New York Times has a feature on Goth style and its influence on mainstream fashion. Lest we forget though, for some "everyday
is Halloween." From the article:
These days Goth is "an Upper East Side way of being edgy without actually drinking anybody's blood," said Simon Doonan, the creative director of Barneys. With a wink he added, "Who doesn't like a vaseful of ostrich feathers at the end of the day?"
The costumes and ornaments are a glamorous cover for the genre's somber themes. In the world of Goth, nature itself lurks as a malign protagonist, causing flesh to rot, rivers to flood, monuments to crumble and women to turn into slatterns, their hair streaming and lipstick askew.
Some scholars see the Gothic mood as especially resonant in periods of uncertainty. Allen Grove, an associate professor of English at Alfred University in Alfred, N.Y., theorizes that during war or in the aftermath of disaster, whether wrought by a hurricane or a terrorist cell, dark themes surface in part as a way to confront society's worst fears.
"We're somehow trying to deal with calamity and death," said Dr. Grove, who teaches a popular course on the literature of horror. "Revisiting Gothic themes might be one way to embrace those things and try to come to terms with them."
I asked Amy Parness, the co-founder of Sparkle Labs, maker of fantastic educational electronics kits, to write a Medium post about gender and the business of being a maker business person. Her terrific essay calls out the problems with “pink girly engineering kits.” From Medium:
Zero UI is the new term for “invisible interfaces”—what happens in the future when all the clicking and tapping and typing is history: “If you look at the history of computing, starting with the jacquard loom in 1801, humans have always had to interact with machines in a really abstract, complex way.” [Fast Company]
CEO Dick Costolo will resign, to be replaced in the interim by Jack Dorsey
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