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You can store all of your own music, making your entire music collection playable from any browser in the world. Plus you can also sync that entire music collection and playlists to multiple computers with a single mouse click. Oboe is the jukebox in the sky that can store all library for safety, playback and move your music to any location for offline playback as well.Link
Here's some things which I think make Oboe interesting.
- Oboe is the only online music locker. There are photo lockers, email lockers, general purpose storage, even video lockers but no music lockers and music is ideal for lockers because it's used repeatedly from multiple locations.
- $39.95 per year for unlimited storage and unlimited bandwidth. No per gb billing for either storage or bandwidth.
- Works on Mac/Win/Lin with MP3, AAC, WMA and Ogg files.
- First of its kind iTunes plug-in so iTunes users will be able to sync their entire music collection from within iTunes with one mouse click. This makes it ideal if the user just wants a simple backup of their music. When they realize they can now access their music from any website or zap it to other computers they will be amazed.
- Last time I launched a locker system called my.mp3 it triggered a hailstorm of lawsuits. Hopefully we can avoid them this time, but you just can never tell with the music industry.
- I'm personally a big advocate of open formats and open APIs which Oboe has. So today we're announcing syncing to PCs of all flavors, but tomorrow those same APIs will let you sync your music collection to any phone, PDA, car, tablet, etc.
These type of "DIY traffic-calming happenings" are described by their creator as "roadwitches" and have included an 11-feet high rabbit, a big bed (for a sleeping policeman), a Casualty-style fake crash scene for Halloween and the setting up of a living room in the middle of the road.Link (thanks, Dale!)
"There's an element of fun and mischief, but underneath is the ambition to encourage people to re-examine how roads are used," says Mr Dewan.
"With the living room, it was the most direct way of saying 'We live here. This is our living space.'"
And he says that residents really enjoyed the strangeness of being able to relax outside in their own street, rather than feel it was a place only belonging to the cars that race up and down it.
Eleven seconds before volunteers played the game – discriminating the direction of a field of moving dots – scientists showed them a hint: an arrow pointing to where the moving dots were likely to appear. The dots were visible only for one-fifth of a second and therefore were easy to miss if a subject was not paying attention to the right area.Link
After the hint and prior to the appearance of the moving dots, researchers scanned the volunteers with functional brain imaging, which reveals increases in blood flow to different brain areas indicative of increased activity in those regions. Based on brain activity patterns that reflected whether the subjects used the hint or not, scientists found they could frequently predict whether a volunteer's response would be right or wrong before the volunteers even had a chance to try to see the dots.
A trip to Spar here in Barry confirmed the strange truth of the phenomenon. The Mosquito is positioned just outside the door. Although this reporter could not hear anything, being too old, several young people attested to the fact that yes, there was a noise, and yes, it was extremely annoying.Link
"It's loud and squeaky and it just goes through you," said Jodie Evans, 15, who was shopping at the store even though she was supposed to be in school. "It gets inside you..."
Stapleton, a security consultant whose experience in installing store alarms and the like alerted him to the gravity of the loitering problem, studied other teenage-repellents as part of his research. Some shops, for example, use "zit lamps," which drive teenagers away by casting a blue light onto their spotty skin, accentuating any whiteheads and other blemishes.
Using his children as guinea pigs, he tried a number of different noise and frequency levels, testing a single-toned unit before settling on a pulsating tone which, he said, is more unbearable, and which can be broadcast at 75 decibels, within government auditory-safety limits. "I didn't want to make it hurt," Stapleton said. "It just has to nag at them."
You don't want to be an 800-pound gorilla. No such animal has ever existed. The average big daddy silverback tops out at about half that weight. And gorillas are not predators, but vegans, with an almost unlimited appetite for fruit and bamboo shoots. I once worked on a TV documentary about lowland gorillas; on an average day the dramatic episodes consisted of the alpha male passing gas, picking his nose and yawning. Then he did the same things, the other way around. Over and over. This is probably not the image a hard-charging executive wants to present to the public.Link
Nor do you want to be lionized. Once, in Botswana, I saw a male lion rouse himself to court a female, with lots of growling and nipping. Finally, grudgingly, she assumed the sphinx position and he mounted her. One of my companions, a National Geographic photographer, began whirring and clicking (with his camera, I mean). The big moment of leonine love lasted all of ten seconds. "Definitely a motor-drive picture," the photographer muttered. Think about this the next time the preening CEOs at an awards banquet liken one another to lions.
Peace is paying dividends in Sierra Leone. The same civil war that depleted the country of tools and work is now providing ample raw material for recovery: weapons. Enterprising blacksmiths and metal workers convert them into farm implements so that a Kalashnikov becomes hoes and axe heads and a rocket launcher transforms into pickaxes, sickles and even school bells.Link (via WorldChanging)
The indisputable heavyweight champ is a tank (or a heavy duty 16 wheeler) that can provide a year's work for 5 blacksmiths, turning it into 3,000 items vital to equip a farming village of 100 families. Jobs, tools, agriculture. It isn't everyday that what you long for comes true.
Most of what I do from day to day is ignore stuff -- quickly deleting emails that I won't be able to answer or don't need to read, skipping through RSS to get at the good stuff, separating small quanta of wheat from mountains of chaff. I can totally believe that the key to survival in the information age is not paying attention to unimportant stuff.
The findings turn upside down the popular concept that a person's memory capacity, which is strongly related to intelligence, is solely dependent upon the amount of information you can cram into your head at one time. These results have broad implications and may lead to developing more effective ways to optimize memory as well as improved diagnosis and treatment of cognitive deficits associated with attention deficit disorder and schizophrenia...Link (via Collision Detection)
"People differed systematically, and dramatically, in their ability to keep irrelevant items out of awareness," Vogel said. "This doesn't mean people with low capacity are cognitively impaired. There may be advantages to having a lot of seemingly irrelevant information coming to mind. Being a bit scattered tends to be a trait of highly imaginative people."
Now a record company has shut down the American Edit site -- I was privately sent a copy of the takedown notice, which was signed by Warner Bros -- and internet activists are calling for a reprise of Grey Tuesday when websites all over the Internet mirrored DJ Danger Mouse's Grey Album mashup, which was censored off the Internet by EMI.
As I wrote earlier this week, fighting mashups has nothing to do with reducing "piracy." No one who listens to American Edit will shrug her shoulders and say, "Well, heck, now that I've heard that, who needs to buy the Green Day album?" Censoring this art is tantamount to saying, "This music must go because it displeases us."
I presented this view to an EMI representative at the Creative Economies conference in London earlier this autumn and she responded by saying that DJ Danger Mouse had a happy ending, because they subsequently hired him to produce lawful mashups for them (while still maintaining legal censorship of the Grey Album).
Copyright maximalists like to contrast copyright with the old system of patronage, when you could only make art if you could convince the Pope or a duke or a king that your art was worthy. Patronage really distorted creative expression, and copyright did indeed promise to decentralize authority over what kind of art was permitted.
But the EMI rep's answer to the Grey Album is patronage. "You must not make this art unless we permit it." If you work for one of a few big record companies, you can use their legal apparatus to clear the material you want to use in a mashup. Otherwise, your art is illegal and will be censored.
I think patronage is wrong -- I agree with the maximalists here. Let's end it. Let's share these mashups, make samples without permission, and continue to produce art without permission from the latter-day aristocracy of creativity.
Only 10 days after its release, the mash-up album American Edit, which pays tribute to the acclaimed Green Day album American Idiot through some of the best mash-up productions of 2005, was shut down reportedly after received a cease & desist order from Green Day's label, Warner records, despite the fact that it was released as an internet only release with no commercial gain for the team of mash-up artists involved. In fact, the only possible profit to be made from the release was a plea from the creators of the album (known only by the shared alias Dean Gray) for fans who enjoyed the creation to donate to one of three possible charities that Green Day have been known to support. Furthermore, the mash-up versions were such fantastic productions that they were truly a departure from the standard Green Day performances and would not compete for consumptive dollars.Link (Thanks, Kael!)
We hope to mobilize the online Mash-Up community by organizing a simple one-day organized event. Participants would be asked to post the American Edit album online for 24 hours only starting on Tuesday, December 13, at 12:00AM. Doing so is not intended to be a mass organization of music piracy but, rather, one single display of the consumptive power of the mash-up and home remix community in the hopes of encouraging the labels, publishers and artists who are curious about the mash-up community to consider giving the high quality productions of "illegitimate" music a legitimate consideration as a promotional avenue for all music.
It's an interesting service, but the land-line, mains power, and proprietary OS all make this less valuable as a development tool than the One Laptop Per Child device. The OLPC people talk about their device as something that will not only bring computing to poor and rural people in the developing world, but as something that will provide a platform for users to learn to program and improve on their tools -- a "teach a man to fish" technology. This goes hand in hand with the WiFi and the power designs in OLPC, which allow ad-hoc groups to gather, collaborate, and work together. By sacrificing these three elements, the IT PC undermines these knock-on benefits.
The OLPC is intended as a platform for instruction and exploration of computers themselves, as an opportunity to put the means of production into the hands of users -- as well as a tool for delivering and sharing information. The IT PC is just a tool for doing the latter; and for delivering users to merchants.
There's something about an Atari 2600 that makes you feel warm and tingly all over. If you want to bring those feelings to the ultimate climax, follow these instructions to make a vibrator out of your Atari controller.Link
We found a small, inexpensive and self-contained bullet vibrator that fit perfectly inside the case and whose switch happened to be very compatible with the button on the Atari 2600 controller. With a little wire, solder, and basic materials, you can build one of these units yourself and put even more joy in your joystick.
Sony BMG officials insist that they acted as quickly as they could, and that they expected to be able to go public and offer a software patch at the same time. However, Russinovich posted his blog item first, forcing Sony BMG to scramble to contain the crisis. It recalled millions of CDs recorded by 52 artists, including Van Zant, Celine Dion, and Neil Diamond. Plus, it offered exchanges to customers. "We're very, very sorry for the disruption and inconvenience that this has caused to music consumers," says Thomas Hesse, president of Sony BMG's Global Digital Business.
(Cool Sony CD image courtesy of Collapsibletank)