I wrote about US-VISIT in 2004, and back then I said that it was too expensive and a bad trade-off. The price tag for "the next phase" was $15B; I'm sure the total cost is much higher.Link
But take that $15B number. One thousand bad guys, most of them not very bad, caught through US-VISIT. That's $15M per bad guy caught.
Surely there's a more cost-effective way to catch bad guys?
As an active member of FreeCulture.org, and the president of the NYU chapter, I feel both obligated and prepared to stand behind the organization’s stance on where copyright is headed, and where it should be. I can not, in good conscience, renounce my beliefs in the hopes of gaining a rung on the corporate ladder.Link (Thanks, Fred!)
Update: Tor Books's Patrick Nielsen Hayden sez, "We're donors; we're not joint-venturers."
Thomas Hawk has written a great open letter to Myra Borshoff Cook, Tour Organizer for the book in which he spells out why her excuses for restricting the liberty of people who shoot the manuscript are bogus.
It's possible that shooting this with a flash might have long-term negative effects (though we're not talking about the Constitution here, and besides, it's under glass, so you won't get anything but glare if you use your flash), but that's a reason to ban flashes, not photography. The manuscript is a palimpsest of Kerouac's thought processes and revisions and it photographs beautifully.
Ms. Borshoff Cook, you have been entrusted with running a tour of one of the great pieces of literature of the written English language. Even more significantly *how* it is written is of great historical import. This document deserves to be shared beyond the confines of a small room in a basement of the San Francisco library. This document deserves to be shared with everyone online. They deserve to see the time worn type and corrections that Jack made to his document to get a sense of the historical uniqueness of it. Rather than allow the public an opportunity to share in this experience, you position weak copyright objections which don't hold up. Are not most books and documents in the San Francisco Public library copyrighted? In fact is not their own copy of the book "On the Road" back in their shelves copyrighted? And yet I see no sign there prohibiting me from taking photos of the actual book, or any other book in the San Francisco Public Library.If I were in San Francisco, I'd follow Thomas's example and shoot the scroll -- maybe put it up on Flickr under a tag like "ontheroadscroll". Link (Thanks, Thomas!)
Update: Michael's created a Flickr group for your Kerouac scroll piccies!
Attaboy is the co-founder and editor of Hi-Fructose, the excellent new magazine about candy, toys, and monsters. He also creates his own incredibly-inspired and beautiful illustrations. Last Gasp has just published a book of 32 postcards by Attaboy titled Floating Submerged. I can't wait to get my copy! From the Last Gasp description of the book:
Thirty-two full-color, removable, oversized postcards, perforated for your pleasure. Attaboy's maniacal undersea creatures and otherworldly vermin are together here for the first time. This postcard set features fans' favorite images seen the world over, along with characters from Atta's Vinyl Toy and Plush line, including the Axtrx and Gooberry! A great gift to send anyone for their next goo-filled visual vacation.Link (via Laughing Squid)
A renegade toy designer whose goo-filled images glow with an eerie, distrubed, childlike sensibility, Attaboy has emerged as a one of the many leading talents in a toy and design movement that might be called "Creaturism." His images appear in galleries, magazines, comics, strange candy devices, calendars, and toys all over. His T-shirts are sold in Japan, his art has appeared in numerous galleries, and his candy-coated stickers and eyesore-causing books are sought after by young and bold. Enter the toof-decayed and festering Yumfactory of Attaboy!
When Eckersall started at Wet Design, he was asked to double the height of the Bellagio's water spray to its current 160 meters–"high enough," he says, "that the Federal Aviation Administration has complained that it shows up on radar." The shooters he helped design can propel water so powerfully that it disappears into a vapor. The new design also greatly improves control of the sprays. Today, the oarsmen can direct water to nearly one-thousandth of a degree. That lets the show designers pick the precise point at which two streams touch during the show.Link
Surprisingly, Eckersall says, one of the biggest challenges with the Bellagio fountain is maintaining the seemingly mundane housekeeping computer. It controls, among other things, the pond's filters, which catch everything, "from coins to nappies," he says.
"Also, Boing Boing itself is on one of the cards!
"There are also some live events coming up in New York and London, making it especially news-worthy right now - anyone can participate, as they aren't especially about PXC, just friendly puzzlin' competitions. Although the London event is closed to sign-ups, after 600 people applied..."
Link (Here is Guy's quick-start guide to the game.)
In the 21st century, we no longer think of reality as particles and force fields. Instead, scientists and philosophers view the world as a sea of computation. "The Lifebox, the Seashell, and the Soul," by Rudy Rucker, explains and expands upon this new way to understand nature, society and the mind. In other words, its about what gnarly computation taught the author about ultimate reality, the meaning of life, and how to be happy.Tuesday, February 21st at 7 pm, Booksmith (1644 Haight Street in San Francisco, between Clayton & Cole), 415-863-8688. Link (Thanks, Booksmith!)
Rudy Rucker is a mathematician, novelist, software engineer, BoingBoing contributor, and former professor of computer science at San Jose State University. He is well known for his popular books about science, as well as his thirteen novels. He is considered one of the core cyberpunk authors, and is the two time winner of the Philip K. Dick Award. For more info, see www.rudyrucker.com
AT&T Corp. (which was recently acquired by the new AT&T, Inc,. formerly known as SBC Communications) maintains domestic telecommunications facilities over which millions of Americans' telephone and Internet communications pass every day. It also manages some of the largest databases in the world, containing records of most or all communications made through its myriad telecommunications services.Link (Thanks, Jason!)
The lawsuits alleges that AT&T Corp. has opened its key telecommunications facilities and databases to direct access by the NSA and/or other government agencies, thereby disclosing to the government the contents of its customers' communications as well as detailed communications records about millions of its customers, including the lawsuit's class members.
The lawsuit also alleges that AT&T has given the government unfettered access to its over 300 terabyte "Daytona" database of caller information -- one of the largest databases in the world. Moreover, by opening its network and databases to wholesale surveillance by the NSA, EFF alleges that AT&T has violated the privacy of its customers and the people they call and email, as well as broken longstanding communications privacy laws.
The lawsuit also alleges that AT&T continues to assist the government in its secret surveillance of millions of Americans. EFF, on behalf of a nationwide class of AT&T customers, is suing to stop this illegal conduct and hold AT&T responsible for its illegal collaboration in the government's domestic spying program, which has violated the law and damaged the fundamental freedoms of the American public.
It's all monkeys, all the time at Brian Biggs' Daily Monkey weblog. Brian is a talented illustrator who takes time away from his critically important drawing work to post a new monkey related photograph and quotation each day. For this, I am thankful.
"I'm shooting a special for MTV and they told me all I had to do was push my lips out a little and the monkey would give me a peck, but instead she rammed her tongue inside my mouth and swept it all around in a circle.
She touched every inch in there! It was the most disgusting thing ever!"
– Jessica Alba
I love music, movies, and books. I also love technology. I want to use technology to deliver the media I love anywhere, anywhen, with anyone.Link (Thanks, Norm!)
This is fair use: I bought it, let me use it. I will tell all my friends about my favorite music. I might play it for them or even give them a digital version of a song. This is evangelism, not theft. This is advertising you cannot buy.
Restrictive copyright is like a vegetarian knife. You bought the knife, but if you cut meat with it, we'll sue you. Excuse me? Let's think again.