The subject of artist Damien Hirst's famous 1991 work "The physical impossibility of death in the mind of someone living" needs to be replaced. Apparently, the shark suspended in formaldehyde isn't aging well. Hirst has said that he will happily refurbish the piece, purchased in 2004 from the Saatchi Gallery by US hedge fund manager Steve Cohen for a reported £6.5m.
From The Art Newspaper:
Oliver Crimmen, curator of fish at the Natural History Museum who advised Hirst on the necessary measures to be taken for the conservation of the shark in 1991, said the long-term preservation of large specimens for scientific purposes requires an alcohol-based solution rather than formaldehyde...
Mr Crimmen said that Hirst “did not inject the deep tissues of the shark with formaldehyde and this has caused it to undergo some changes in shape.” He believes the tissue of the shark could be shrinking and put the cloudiness of the formaldehyde down to the chemical composition of the solution used by the artist.
Speaking to critic Stuart Morgan in 1996, Hirst said: “I did an interview about conservation and they told me formaldehyde is not a perfect form of preservation... They actually thought I was using formaldehyde to preserve an artwork for posterity, when in reality I use it to communicate an idea.”
I asked Amy Parness, the co-founder of Sparkle Labs, maker of fantastic educational electronics kits, to write a Medium post about gender and the business of being a maker business person. Her terrific essay calls out the problems with “pink girly engineering kits.” From Medium:
Zero UI is the new term for “invisible interfaces”—what happens in the future when all the clicking and tapping and typing is history: “If you look at the history of computing, starting with the jacquard loom in 1801, humans have always had to interact with machines in a really abstract, complex way.” [Fast Company]
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