Vernacular video: the state of "the people's medium"

Snip from an essay by Tom Sherman, via Bruce Sterling's blog:

Recombinant work will be more and more common. Sampling and the repeat structures of pop music will be emulated in the repetitive deconstruction of popular culture. Collage, montage and the quick-and-dirty efficiency of recombinant forms are driven by the romantic, Robin Hood-like efforts of the copyleft movement.

Real-time, on-the-fly voiceovers will replace scripted narratives . Personal, on-site journalism and video diaries will proliferate.

On-screen text will be visually dynamic, but semantically crude. Language will be altered quickly through misuse and slippage. People will say things like I work in several mediums [sic]. Media is plural. Medium is singular. What's next: I am a multi-mediums artist? Will someone introduce spell-check to video text generators?

Crude animation will be mixed with crude behaviour. Slick animation takes time and money. Crude is cool, as opposed to slick.

Slow motion and accelerated image streams will be overused, ironically breaking the real-time-and-space edge of straight, unaltered video.

Digital effects will be used to glue disconnected scenes together; paint programs and negative filters will be used to denote psychological terrain. Notions of the sub- or unconscious will be objectified and obscured as quick and dirty surrealism dominates the creative use of video.

Travelogues will prosper, as road films and video tourism proliferate. Have palm-corder and laptop, will travel.

Extreme sports, sex, self-mutilation and drug overdoses will mix with disaster culture; terrorist attacks, plane crashes, hurricanes and tornadoes will be translated into mediated horror through vernacular video.

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