Ironic Sans has a roundup of logos for terrorist groups, clustered into graphic categories: Stars, One Gun, Two Guns Crossed, Other Weapons Crossed, Crossbones, Animals with Multiple Heads, and Other. He worked from the Wikipedia entry on terrorists, which is as good a source as any, but necessarily flawed, since the difference between "terrorist" and "guerrilla fighter" depends on whose side you're on. My great-uncle who lost an arm fighting for the Partisans was a terrorist by some definitions.
It recently occurred to me that someone had to actually design those logos. But how did they decide who gets to do it? Did the job go to whichever terrorist had a copy of Adobe Illustrator?
I did some research and rounded up as many logos as I could find from terrorist groups past and present. While I hate to give terrorists any more attention, I still think it’s interesting to see the various approaches they took in their logos, and wonder what considerations went into designing them. Does the logo successfully convey the organization’s message? Is it confusingly similar to another group’s logo? Does it exhibit excessive drop shadows, gradients, or use of whatever font is the Arabic equivalent of Papyrus?
(via Beyond the Beyond
I asked Amy Parness, the co-founder of Sparkle Labs, maker of fantastic educational electronics kits, to write a Medium post about gender and the business of being a maker business person. Her terrific essay calls out the problems with “pink girly engineering kits.” From Medium:
Zero UI is the new term for “invisible interfaces”—what happens in the future when all the clicking and tapping and typing is history: “If you look at the history of computing, starting with the jacquard loom in 1801, humans have always had to interact with machines in a really abstract, complex way.” [Fast Company]
CEO Dick Costolo will resign, to be replaced in the interim by Jack Dorsey
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