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	<title>Comments on: Gallery of illustrated book&#160;endpapers</title>
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	<link>http://boingboing.net/2007/09/27/gallery-of-illustrat-1.html</link>
	<description>Brain candy for Happy Mutants</description>
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		<title>By: Roger Knights</title>
		<link>http://boingboing.net/2007/09/27/gallery-of-illustrat-1.html#comment-29729</link>
		<dc:creator>Roger Knights</dc:creator>
		<pubDate>Wed, 30 Nov -0001 00:00:00 +0000</pubDate>
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		<description>Our more sophisticated forebears knew a few other tricks that could/should be revived:

1. Chapter-contents previews. These were like tables of contents at the top of each chapter, except that they lacked a page number associated with each topic. (Word processing software would make this easy to provide today.) They weren&#039;t just in non-fiction, but even in fiction. They provided the reader with a helpful &quot;handrail,&quot; something that&#039;s sometimes nice to have.

2. Artwork in works of fiction. The probable reason for their disappearance (besides cost) was a snooty desire to avoid a comic-book or children&#039;s-book look. Oh yes, and to let the alleged masterpiece speak for itself.

3. Maps and diagrams in works of fiction. The omission of such vital aids from &quot;thrillers&quot; and detective stories is semi-criminal--and most other novels would benefit from them as well. Layouts of houses and their environs are often hard to visualize from a sketchy written description. Or even from a verbose one.

4. Flowery dingbats or icons separating subdivisions of a chapter, in works of fiction, signaling a change of topic or locale, etc. Why not provide such useful landmarks? (They were probably dropped as part of a Modernist impulse to get rid of every sort of Victorian &quot;gingerbread.&quot;)</description>
		<content:encoded><![CDATA[<p>Our more sophisticated forebears knew a few other tricks that could/should be revived:</p>
<p>1. Chapter-contents previews. These were like tables of contents at the top of each chapter, except that they lacked a page number associated with each topic. (Word processing software would make this easy to provide today.) They weren&#8217;t just in non-fiction, but even in fiction. They provided the reader with a helpful &#8220;handrail,&#8221; something that&#8217;s sometimes nice to have.</p>
<p>2. Artwork in works of fiction. The probable reason for their disappearance (besides cost) was a snooty desire to avoid a comic-book or children&#8217;s-book look. Oh yes, and to let the alleged masterpiece speak for itself.</p>
<p>3. Maps and diagrams in works of fiction. The omission of such vital aids from &#8220;thrillers&#8221; and detective stories is semi-criminal&#8211;and most other novels would benefit from them as well. Layouts of houses and their environs are often hard to visualize from a sketchy written description. Or even from a verbose one.</p>
<p>4. Flowery dingbats or icons separating subdivisions of a chapter, in works of fiction, signaling a change of topic or locale, etc. Why not provide such useful landmarks? (They were probably dropped as part of a Modernist impulse to get rid of every sort of Victorian &#8220;gingerbread.&#8221;)</p>
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		<title>By: Anonymous</title>
		<link>http://boingboing.net/2007/09/27/gallery-of-illustrat-1.html#comment-30296</link>
		<dc:creator>Anonymous</dc:creator>
		<pubDate>Wed, 30 Nov -0001 00:00:00 +0000</pubDate>
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		<description>I can&#039;t believe nobody has mentioned it but that particular endpaper you&#039;ve chosen was used as the back cover for Tripping Daisy&#039;s 1998 album &quot;Jesus Hits Like the Atom Bomb&quot; and came as a postcard in the DVD release of The Polyphonic Spree&#039;s &quot;Soldier Girl&quot; single, both Tim DeLaughter bands.</description>
		<content:encoded><![CDATA[<p>I can&#8217;t believe nobody has mentioned it but that particular endpaper you&#8217;ve chosen was used as the back cover for Tripping Daisy&#8217;s 1998 album &#8220;Jesus Hits Like the Atom Bomb&#8221; and came as a postcard in the DVD release of The Polyphonic Spree&#8217;s &#8220;Soldier Girl&#8221; single, both Tim DeLaughter bands.</p>
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