Ridley Scott's final retake on Blade Runner, the influential 1982 film adaptation of the Philip K. Dick novel "Do Androids Dream of Electric Sheep?", will be released to select theaters in October followed by a DVD in December. The 1992 "director's cut," was a triumph of future noir, a film that stands the test of time more than almost any other science fiction movie. In the new issue of Wired, Ted Greenwald interviews Scott about this rev, titled Blade Runner: The Final Cut. Wired.com posted the interview that ran in the magazine, along with the full transcript and the audio of the original conversation. From the interview:
Wired: How did you decide to tell a 21st-century story in a 1940s style?
Scott: Well, people want a comfortable preconception about what they're seeing. It's a bit like 20 years of Westerns and, now, 45 years of cop movies. People are comfortable with the roles. Even though every nook and cranny has been explored, they'll still sit through endless variations on cops and bad guys, right? In this instance, I was doing a cop and a different bad guy. And to justify the creation of the bad guy, i.e., replication, it had to be in the future....
It's the same as trying to do a monster movie. You know, Alien is a C film elevated to an A film, honestly, by a great monster. In this instance, my special effect was the world. That's why I put together people like [industrial designer] Syd Mead who were actually serious futurists. The big test is saying, Draw me a car in 30 years' time, without it looking like bad science fiction. Or, Draw me an electric iron that will be pressing shirts in 20 years without it looking silly. I wanted the world to be futuristic and yet feel – not familiar, because it won't be – but feel authentic. One of the hardest sets to design was the kitchen. It's easy to fantasize about Tyrell's giant neo-Egyptianesque boardroom, but imagining a bathroom and kitchen in those times, that's tricky. Nevertheless, fascinating. I love the problem.
We Gotta Get Out of This Place: The Soundtrack of the Vietnam War is a new book by veteran Doug Bradley and Craig Werner, professor of Afro-American studies at the University of Wisconsin–Madison, about soldiers’ musical memories and the impact of James Brown, Eric Burdon, Country Joe McDonald, and other popular artists on the Vietnam […]
Pop Chart Lab was founded in 2010 by a book editor and a designer, with the modest goal of rendering all of human experience in chart form. Since then they’ve charted a wide array of cultural touchstones. A Visual Guide to Drink is Pop Chart Lab’s comprehensive volume of its most important topics in graphical […]
Hilarious and silly, A Book of Surrealist Games is a fantastic introduction to the surrealist mind-set. In addition to just being fun to peruse, this collection of written, visual and verbal games is great for exercising your mind, and staying creative. In addition to the games, this oddly organized book is packed with poems, illustrations […]
This minimalist multi-tool will see to it that instead of rocking a tool belt, you’ll carry just one. It’s shaped slightly like a key and weighs less than an ounce, so it plays nice with your keychain. The strong surgical-grade stainless steel blade will last, and is handy for everyday tasks like opening boxes and […]
The Code Black is our top-selling drone of all time—and for good reason. This powerful, palm-size drone is not only insanely fun to fly, but can capture some serious video footage from up above. With a flight time of about 10 minutes and an ultra-smooth ride, it’s a great introductory drone for anyone looking to […]
Don’t get handcuffed by Apple’s standard 3-foot Lightning cord (that you’ve most likely already lost), treat yourself to 10 feet of luxurious charging convenience. The Colossal is certified by Apple for its high-end quality, and designed to support full use of your phone while you power up. You can also get it in a 2-pack […]