Ridley Scott's final retake on Blade Runner, the influential 1982 film adaptation of the Philip K. Dick novel "Do Androids Dream of Electric Sheep?", will be released to select theaters in October followed by a DVD in December. The 1992 "director's cut," was a triumph of future noir, a film that stands the test of time more than almost any other science fiction movie. In the new issue of Wired, Ted Greenwald interviews Scott about this rev, titled Blade Runner: The Final Cut. Wired.com posted the interview that ran in the magazine, along with the full transcript and the audio of the original conversation. From the interview:
Wired: How did you decide to tell a 21st-century story in a 1940s style?
Scott: Well, people want a comfortable preconception about what they're seeing. It's a bit like 20 years of Westerns and, now, 45 years of cop movies. People are comfortable with the roles. Even though every nook and cranny has been explored, they'll still sit through endless variations on cops and bad guys, right? In this instance, I was doing a cop and a different bad guy. And to justify the creation of the bad guy, i.e., replication, it had to be in the future....
It's the same as trying to do a monster movie. You know, Alien is a C film elevated to an A film, honestly, by a great monster. In this instance, my special effect was the world. That's why I put together people like [industrial designer] Syd Mead who were actually serious futurists. The big test is saying, Draw me a car in 30 years' time, without it looking like bad science fiction. Or, Draw me an electric iron that will be pressing shirts in 20 years without it looking silly. I wanted the world to be futuristic and yet feel – not familiar, because it won't be – but feel authentic. One of the hardest sets to design was the kitchen. It's easy to fantasize about Tyrell's giant neo-Egyptianesque boardroom, but imagining a bathroom and kitchen in those times, that's tricky. Nevertheless, fascinating. I love the problem.
Anthropologist Emma Tarlo just published a new book, Entanglement: The Secret Lives of Hair, investigating the weird culture and business surrounding hair, from Jewish wig parlors to its use in Hindu temples to hair loss clinics. In an excerpt at Smithsonian, Tarlo tells of the hair trade, tracing the path from the growers to the […]
In this Scientific American video, Rubik’s Cube master Ian Scheffler, author of the new book Cracking the Cube, explains some of the math behind “speedcubing.” Scheduler’s book sounds fascinating even though the only way I could get my Rubik’s Cube solved is to hand it to my 10-year-old son’s friend Luc who was the first […]
Swim Through the Darkness: My Search for Craig Smith and the Mystery of Maitreya Kali is the much-anticipated story of one of the more esoteric, fascinating casualties of the flower power generation. As told by Ugly Things magazine creator Mike Stax, the book tracks the odyssey of Craig Smith, a musician who evolved from clean-cut […]
Loot Crate is a totally different kind of subscription service that mails subscribers monthly boxes filled with curated geek, pop culture, and gamer paraphernalia. Its cult following awaits a box every month filled with everything from bobble heads to T-shirts to special edition collectibles. But nothing gets Loot Crate fans as excited as the limited […]
The ARMOR-X Mini Flexible Phone Tripod is a smartphone tripod that is designed with flexible legs to rest on virtually any type of surface. Other tripods have proved useless unless I conveniently have a flat surface in front of me, which is why this particular tripod was appealing enough to try out. The ARMOR-X is compact and easy […]
You don’t need to get an advanced degree and take out massive loans to become a coder. This bundle of 10 courses was designed to teach anyone to code at home for less than it costs to go out for dinner. I was particularly impressed with this new 2017 bundle because it includes courses on […]