For this All Saint's Eve, here's a creepy, 1911 ghost story called "Night Fishing," written by Izumi Kyōka, a writer "heavily influenced by supernatural and grotesque themes from Edo-period literature and folklore." The translation's brand new, from Matt Treyvaud, and the story reads like a Japanese-inflected Poe piece.
It late November. An unseasonably muggy wind had blown all evening. Humid clouds swelled overhead. People too near a brazier were damp with sweat, wishing they could remove their coats. And now the sun was setting. Iwa-san left work and wound through the alleys of the Gyōgan temple grounds to the longhouse where he lived with his family. But once he got there, he seemed agitated by something and in a great hurry. Without even making his usual visit to the bath-house, he wolfed down his rice and tea, said that he was going to visit a friend, and left the house.
While he was gone, the wind grew ever fiercer. The doors and shoji screens rattled. The dark mouths of the shutters yawned and slammed. The skies, despite all this, were clear, stars still and twinkling even as the gale grew wild. Gray clouds like piles of cotton swelled into view from time to time, shedding a few drops of rain. But just when it seemed about to pour, the wind would grow wild and blow the skies clear.
I asked Amy Parness, the co-founder of Sparkle Labs, maker of fantastic educational electronics kits, to write a Medium post about gender and the business of being a maker business person. Her terrific essay calls out the problems with “pink girly engineering kits.” From Medium:
Zero UI is the new term for “invisible interfaces”—what happens in the future when all the clicking and tapping and typing is history: “If you look at the history of computing, starting with the jacquard loom in 1801, humans have always had to interact with machines in a really abstract, complex way.” [Fast Company]
CEO Dick Costolo will resign, to be replaced in the interim by Jack Dorsey
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