Last week, ASCAP (a rights society that collects and disburses money to composers for live performance and radio play) published a document intending to scare artists away from using Creative Commons. The document was riddled with factual errors, and Larry Lessig (founder and head of Creative Commons) has posted a point-by-point correction on his blog:
To further complicate matters, CC licenses define peer-to-peer file sharing as "noncommercial" - a position with which the United States Supreme Court has disagreed and is otherwise at odds with U.S. law.
Huh? The "United States Supreme Court" has said nothing, and, more importantly, could have nothing to say, about whether a copyright owner is allowed to grant freedoms to users for a particular use, such as p2p file sharing. Again, the freedom to grant freedoms is part of what copyright law gives a copyright owner. This freedom is certainly not "at odds with [at least this provision of] U.S. law."
Michael Geist writes, “The global music industry has spent two decades lobbying for restrictive DMCA-style restrictions on digital locks. These so-called “anti-circumvention rules” have been actively opposed by many groups, but the copyright lobby claims that they are needed to comply with the World Intellectual Property Organization’s Internet treaties. Now the head of the RIAA […]
The Auralnauts’ wildly successful Star Wars remixes have gone from strength to strength, combining bad lip reading, South Park-ish raunchy humor, and massive dance-parties accompanied by some seriously rockin’ tunes.
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