James Gleick has a fantastic, thought-provoking editorial in the New York Times about the skyrocketing value of rare physical goods -- like a centuries-old Magna Carta -- coming on as part of the same phenomena leading to crash in the value of information goods:
Just when digital reproduction makes it possible to create a “Rembrandt” good enough to fool the eye, the “real” Rembrandt becomes more expensive than ever. Why? Because the same free flow that makes information cheap and reproducible helps us treasure the sight of information that is not. A story gains power from its attachment, however tenuous, to a physical object. The object gains power from the story. The abstract version may flash by on a screen, but the worn parchment and the fading ink make us pause. The extreme of scarcity is intensified by the extreme of ubiquity.
Ladder lockdown is a metal tray with super-grippy patches on its underside; set it down on any surface (including ice!) and then set your ladder’s feet in the tray and cinch it in place and the ladder won’t “kick out” and injure you and your loved ones.
Machinist/sculptor Chris Bathgate (previously) continues his run of collaborations on small, gorgeous kinetic sculptures and fidget toys with the “Netsuke Hybrid Vessel Bead,” a collaboration with Revolve Makers.
There are three more stops on my tour for Walkaway: tomorrow at San Diego Comic-Con, next weekend at Defcon 25 in Las Vegas, and August 10th at the Burbank Public Library.
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