The Creative Commons blog has a great interview with John Gillilan, one of my former students, about his Creative Commons-friendly record label vosotros. John's come up with a ton of very creative ways of making and promoting music, and the label's having a live event this in LA Thursday to celebrate its first birthday:
vosotros is a new music initiative and label founded by Chicago natives John Gillilan and Gabe Noel. Our latest project, The Lazy Susan, will be released this February. We first met in Professora White’s 7th grade Spanish class, which is where we got our name. Vosotros is a Spanish verb conjugation roughly meaning “you-all.” But since it is only used in Spain, it was always ignored. Vosotros is music for you-all.
The Lazy Susan was born in February 2007, when we assembled a band to record one song and launch our year-long residency in downtown Los Angeles. Each month during the next year, we assembled a new band to record another song and play another month of the residency. Twelve months later, vosotros presents: the lazy susan – an album featuring thirty-two musicians on twelve songs written by bassist Gabe Noel.
The Lazy Susan introduces music by “Noelsson Schmoelsson”, “Someone’s Piano”, “First Good Feeling”, “PB&J…and g”, “masunday”, “Saltar”, “My Moon Boots”, “The Carrot and Stick”, “Touhy”, “ump-off Pause Tape”, “How Long It Takes To Know”, and “Our Song”.
February 28 marks the one-year anniversary of our residency at LAND (details here) – and the release of our third album as a label. You can listen to the lazy susan at last.fm and iMeem. Also, be sure to check out this promo video crafted by our friend Dave McCary using only public domain footage.
Those bowtie-shaped “motorized self-balancing two-wheeled scooters” you see in the windows of strip-mall cellphone repair shops and in mall-kiosks roared out of nowhere and are now everywhere, despite being so new that we don’t even know what they’re called.
BMG Rights Management and Round Hill Music. has been trying to enlist Cox Cable as an accomplice in a copyright trolling scheme, demanding that the company pass on copyright infringement notices that accuse users of downloading music and order them to pay large sums of music or face punishing lawsuits.
In 2014, Britain strode boldly into the late 20th century, finally legalising “private copying” — ripping CDs, taping LPs, recording TV shows, backing up your ebooks and games — but now it’s thought better of the move.
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