Freaks, a 1932 movie starring real life human marvels, is available for download at Archive.org. It stars the handsome and talented, 18-inch tall Johnny Eck (shown here in black jacket and bow-tie). I first saw Freaks when I was about 15, and when Eck came running across the screen using his hands and arms, I was dumbfounded.
From Julie Ng's review at 11th Hour:
What always amazes me every time I watch it is its darkness, its audacity and well, the very fact that it even got released at all. Especially in the Production Code era of cinema. Despite the fact that some places did ban it and that MGM foolishly hacked out parts of it that are now lost forever, Freaks still got away with a lot, for its time. I'm not only talking about the casting of real so-called freaks, or of the implied violence, but of the racy dialogue and double entendres littered throughout the film. I once read a guy's review that compared his experience of watching Freaks with a watching a good porno movie. I won't go that far, because I think it's much smarter than any kind of smut, but its exploitative qualities are sort of similar. You are repulsed by what you are seeing, yet fascinatingly allured at the same time.
You may love this movie for its compassion towards the imperfections of nature, or you may believe it to be a sadistic and excessive piece of trash. And that, dear readers, is the real beauty and staying power of Freaks.The Ramones' trademark phrase "Gabba gabba hey!" came from Freaks.
The Do-It-Yourself Monster Make-Up Handbook is a 1965 classic: Famous Monsters of Filmland founder Forrest Ackerman tapped movie makeup legend Dick Smith to create guides for turning yourself into any of three Martians, two kinds of werewolf, a “weird-oh,” a “derelict,” a ghoul, a mummy, Frankenstein’s monster, Quasimodo, Mr Hyde, “split face,” and more.
These Japanese robots’ performance of “Robot’s Delight” — an extended, braggadocios riff on the state of AI learning-through-imitation research, with break-dancing — won Best Video at the 2017 ACM/IEEE International Conference on Human Robot Interaction. (via 4 Short Links)
Jonathan Coulton is known for a myriad of distinct accomplishments. The tech professional-turned-musician once conducted a Thing a Week experiment, in which he recorded and published a new song every Friday for a year, produced a cover of Sir Mix-a-Lot’s “Baby Got Back” infamously adopted by the Fox series Glee, regularly contributes to the NPR quiz show “Ask Me Another” as its very own one-man band, and runs his own fan cruise aptly called the JoCo Cruise.
Maybe it’s entirely because of podcast ads, but drag-and-drop tools like Squarespace have gotten immensely popular in recent years. While it’s definitely a great tool for any non-coders who want to get a small website up and running quickly, managing content with a primarily visual interface can become a pain once you have more than […]
When you can’t wait for the world’s longest meeting to end, the mindless leg bouncing makes your boredom obvious and just annoys everybody else. Everyone knows the TPS reports need the damn cover sheet, but some sadistic colleague keeps forgetting, probably on purpose just to eat into your lunch hour. Enough is enough!While serving a […]
What could be more fun than a slingshot that shoots tiny airplanes? A slingshot that shoots tiny glowing airplanes of course! These toy planes are outfitted with ultra-bright LEDs, so you can fly all night without losing them in the trees.Whether you are a regular-sized child, or an overgrown adult one, these light-up flyers offer […]