This blank ID card came with a wallet made in Japan. (Card was printed in China).
This blank ID card came with a wallet made in Japan. (Card was printed in China).
34 diy gifts
winter cranberry cupcakes
cute animal christmas song
previously on web zen:
chaoskitties in snowsuits
winter zen 2007
As blogged here previously, I'm contributing reviews and "appreciations" to Fancast.com of various TV and movies you can watch there, in entirety, for free (after sitting through some ads). As disclosed previously, I'm being paid to write the posts, but no one's telling me what to write about, or editing my content.
With that out of the way, here's a snip from my latest contribution to the project -- a post about one of my favorite movies ever, Koyaanisqatsi, directed by Godfrey Reggio and scored by Philip Glass. Snip:
Power plants, Nevada nuke detonations in the desert, and a spiderweb of powerlines follow, drawing us in to the awareness of human presence, and showing just how broken our own design of human experience has become. People do eventually appear in the movie, but they’re not so much thinking beings. They’re blurry, busy, insect-like clusters; humming and buzzing through life in a timelapse haze.Read the whole thing, and do comment over there, would you please? Koyaanisqatsi (1983): Xeni's review on Fancast.You can watch the entire movie here with a few brief commercial interruptions. Here's a link to all of my contributions to Fancast's review blog so far.
The "Microchips" chapter juxtaposes images of tiny computer chips (remember when those images were new to us?) with satellite photos of big cities (and these too, before Google Maps?). The microchips and the aerial city layouts are reflections of each other, and we are shown as captives of a chaotic, conflicted realm we have constructed for ourselves.
The film ends as it began, a long arc that reveals itself to be a circle. We return to the same melancholy prophecy with which the film began: a life out of balance is a life destined to disintegrate. The film, its score, and its message, were intended to be timeless – and they are.
An audio note: That Glass soundtrack was re-recorded and re-released in 1998, fifteen years after the film came out. It’s really wonderful music, and worth picking up on Amazon. Snip from the original New York Times review:
The range of instrumental colors is astonishing. If one particular timbre has come to characterize "Koyaanisqatsi," it is the dark, subterranean growl that opens and closes the score.
"He had a marvelous criminal vision," Colombian navy Capt. Luis German Borrero said. "He introduced innovations such as a bow that produced very little wake, a conning tower that rises only a foot above the water and a valve system that enables the crew to scuttle the sub in 10 minutes. He is very ingenious."In Colombia, they call him Captain Nemo
Portocarrero was living well. Police, who reported finding $200,000 hidden in the spare tire of his car, say he had invested his reputed $1-million-per-vessel fees in the purchase of five shrimp boats.
Administrative Security officials allege that Portocarrero helped invent "semi-submersibles," as the narco-vessels are called, because they don't dive and resurface like true submarines, but cruise just below the surface.
Portocarrero's craft are difficult for counter-narcotics officials to detect on the open seas because their tiny wake creates a negligible radar "footprint." Also, authorities say, the exhaust is released through tubing below the surface, frustrating patrol aircraft's heat-sensing equipment.
From Arbroath: "At Christmas time we should always spare a thought for those less fortunate than us. After 20 years of bleeding the world, the global financial community has fallen on hard times. These people desperately need our thoughts, prayers and lots of our money. If you have any investments or savings left, or any money left over at the end of the month please, please give generously."
Automated bike parking system accepts your bike and sends it into the 7th dimension. Returns it to our world at your command.
Over at Kevin Kelly and Gary Wolf's Quantified Self blog ("Tools for knowing your own mind and body") guest blogger Alexandra Carmichael explains how she keeps a record of 40 different things in her life every day, and what she's learned about herself from studying the data.
I track these things about my health and personal patterns every day:She's come to the realization that her mood is much better on days she exercises, and on days when her mood rating is low, she overeats.
- sleep (bed time, wake time, sleep quality, naps)
- morning weight
- daily caloric intake (each meal, total calculated at end of day)
- mood (average of 3 positive and 3 negative factors on 0-5 scale)
- day of menstrual cycle
- sex (quantity, quality)
- exercise (duration, type)
- supplements I take (time, dosage)
- treatments for vulvodynia (a chronic pain condition)
- pain of administering the vulvodynia treatment I take (0-5)
- vulvodynia-related pain (0-5)
- headache,nausea (0-5)
- time spent working, time with kids
- number of nursings and night wakings (I'm a mom)
- unusual events (text)
The mood factors I measure every day are:
5. Feeling beautiful / self-love
6. Feeling fat / ate too much
I hadn't expected my tracking to unearth such deep, emotionally charged issues. I did expect the optimization which often accompanies tracking, but when striving for an optimized ideal, the question becomes how to decide what "ideal" means. I just don't have an intuitive sense of what the data "should" look like. Are such wild swings in caloric intake normal? What do other people's patterns of mood, sleep, and exercise look like? I'd love to see some kind of comparable, to get some sense of where my patterns fit on the distribution curve. Part of my motivation in sharing my data is to encourage others to do the same. Let's learn from each other!It's fascinating stuff, and it will be even more fascinating when people start sharing this data and analyzing it in various ways. Quantifying Myself
Amy Crehore found this video of a girl blowing a gum bubble in a bubble in a bubble in a bubble.
Mr Norman Lux, nSF, woke up with a pain in his body that felt as if it might have been a soul gone bad.Read THE PAINS or I will shoot you in the face (Thanks, John!)
He first perceived the pain as a toothache in the general area of the upper right quadrant of his mouth. But as he fixed on it and tried to determine which tooth it might be that was hurting, he experienced a swift vague transfer of pain from the upper portion of his mouth–by way of the right side of his neck, down the right side of his body, traversing his torso near his belt line–to a region just north and to the left of his scrotum, where it briefly ceased. Two seconds later he felt the sharp ingrowing of the pinky toenail on his right foot. That pain stopped after about five seconds and was almost immediately replaced by the crushing weight of the white linen sheet under which, exhausted from prayer, Mr. Lux had drifted to sleep only a few hours ago. By faint dawn light, the sheet, where it pressed upon the bad toenail, showed a small bloodstain.
Here's video of drunken idiot British tourists disgracing themselves in Tokyo's legendary Tsukiji Fish Market -- licking and fondling fish, joyriding in the forklifts, and so on. Tsukiji is one of the most interesting places I've ever visited, and these dorks are behaving in a way that's dangerous, disrespectful and, well, embarrassing. Our pal Lisa Katayama adds, "The Japanese guy interviewed makes a valid point: he says they allowed tourists here because they thought it would be an interesting learning experience to see how the fish market operated; but at the point where they are blatantly disrupting operations, its time for an intervention."
Etsy seller GEEKitty makes handmade, retro-gaming-themed catnip-filled cat-toys. They'll even do custom plush dope-filled dice, Game Boys, NES controllers and related gamer kipple.
GEEKitty Gear (Thanks, Absinthetic!)
I'm really excited to welcome our new guest blogger to Boing Boing: Susie Bright! I've been a fan of Susie's for over 20 years. She's a brilliant feminist sex writer, erotic forensics expert, and political activist with a big fountain pen instead of a sword.
She's been called: "#23 out of 62 Reasons to Love America," (behind Tofu Pups) -- and "a national treasure right up there with the Grand Canyon, the battlefield at Gettysburg, the Okefenokee Swamp, and the Smithsonian Nancy Reagan Memorial Dress Collection."
Lesser-known details include:
1958 - Born in Arlington, VA, conceived in Jakarta in by expat linguists. Raised all over California, and Edmonton, Alberta, attending eleven schools before dropping out in 1975, and moving to Detroit.
1966 - Wrote first political pamphlet in Crayola Orange-Red, begging neighbors to vote against Reagan in California gubernatorial race.
1974 - Joined notorious high school underground newspaper, The Red Tide, and sued the L.A. School Board for the right to distribute without prior censorship or approval- a struggle not without sit-downs, walkouts, and overturned police cars.
1975 - Co-founded the rank-and-file activist group, Teamsters for a Democratic Union.
1984 - Co-founded On Our Backs, the first sex journal by and for women, the first entirely-out-of-the-closet lesbian magazine, and the first print publication about anything produced with Macintosh Desktop Publishing.
1987 - Began publishing the first "real" film criticism of porn movies. Named the "Pauline Kael of Porn" by Alice Kahn.
1986 - Taught first university class on porn, "How To Read a Dirty Movie" at the California Institute of the Arts in Valencia, California.
1990 - Baby Aretha born; perfect happiness. Writes "Egg Sex."
1993 - Founded The Best American Erotica series; published ~400 short stories of literary erotic fiction.
1995 - Made everyone cry in The Celluloid Closet.
1996 - Inspired the lesbian lovers for the Wachowski Brothers' Bound and wrote the sex scenes.
2004 - Blog debut: Susie Bright's Journal. First Post: Moral Values I'd Like to Revive
2001 - Bought rental fleet Prius from disgusted dealer for $7,000. Still driving it. Started first audio program about sex that was FCC-free: In Bed With Susie Bright. Interviews with Betty Dodson, Erica Jong, and the last candid conversation with the late Jeane Palfrey, "The DC Madam."
2006 - Bong-Wrangler and Cameo on Six Feet Under
This appearance was the delayed result of a telling a talented writer to shut up. Jill Soloway wrote an early script where Susie's name was mentioned in an offhand remark by "Brenda."
A exec at HBO banned the line out from the script, vowing that Bright's name would never be allowed on the show. (Paging Andrea Dworkin!) Three years later, Soloway wrote her final season episode without censorship. Viewers may have wondered about the recurring joke, where every major character repeated the line: "Do you know Susie Bright? She's the feminist sex writer."
Now you know.
2007 - Chief Sewing Columnist at Craft magazine. Writes: The Case of the Missing Curve.
2008 - "Got my first mountain bike. Asked to guest-blog at Boing Boing; my Work is Done. Supposed to finishing memoir, but this timeline was easier.
Susie says: "I read Boing Boing every day, and would love to get tips from you on any of my favorite topics, which include: Sexual politics, writing and editing, cooking, sewing, labor, movies, drugs, pop culture queerities, photography, feminism, fooling around outside, raising teenagers, and words of all kinds. I'll try anything once. Email: firstname.lastname@example.org
Please give her a warm welcome!
Gowers is the expert who conducted the thoroughgoing analysis of the costs of extending copyright. Burnham is the politician who said that he didn't care if the facts said that longer copyright on sound recordings was bad for Britain -- he would extend copyright because of the "moral case."
All the respectable research shows that copyright extension has high costs to the public and negligible benefits for the creative community.There's lots more -- and every word of it dripping with learned, factual rebuttals of errant nonsense.
Consumers find themselves paying more for old works or unable to access “orphan works” where copyright ownership is unclear. Small businesses that play recorded music such as hairdressing salons and local radio stations face a hidden extra “tax” in the form of higher music-licence fees. Do they really need this at this time?
Mr Burnham will no doubt find such arguments uncool. But even on his terms, the case for extension does not work. Twenty years’ extra earning power in 50 years’ time does nothing to put more money in the pockets of struggling performers now: two thirds of lifetime income from an average compact disc comes in the first six years after release.
And it will not alter the incentives for creation one jot. As Dave Rowntree, Blur’s drummer, told my review: “I have never heard of a single band deciding not to record a song because it will fall out of copyright in only 50 years. The idea is laughable.”
- UK culture secretary: "Screw the facts, I'm extending copyright ...
- Countering the FUD about the "Orphan Works" copyright bill (that ...
- Brits: sign the petition, save UK copyright - Boing Boing
- War stories needed for UK review of "Intellectual Property" law ...
- Europe! Stop ISP spying, website blocking AND copyright extension ...
As I testified in 2006, in my view that minimal strategy right now marries the basic principles of “Internet Freedom” first outlined by Chairman Michael Powell, and modified more recently by the FCC, to one additional requirement – a ban on discriminatory access tiering. While broadband providers should be free, in my view, to price consumer access to the Internet differently – setting a higher price, for example, for faster or greater access – they should not be free to apply discriminatory surcharges to those who make content or applications available on the Internet. As I testified, in my view, such “access tiering” risks creating a strong incentive among Internet providers to favor some companies over others; that incentive in turn tends to support business models that exploit scarcity rather than abundance. If Google, for example, knew if could buy a kind of access for its video content that iFilm couldn’t, then it could exploit its advantage to create an even greater disadvantage for its competitors; network providers in turn could deliver on that disadvantage only if the non-privileged service was inferior to the privileged service.The made-up dramas of the Wall Street Journal