Animator Nina Paley's brilliant film, "Sita Sings The Blues," has been wowing the festival circuit but you're probably not going to see it anytime soon. That's because the company that controls the synch rights to the 80+ year old music in the film want so much money for licensing that Paley can't afford to distribute her movie, despite all the critical acclaim.
Question Copyright has a 42-minute interview with Paley on the heartbreak of having to strangle her acclaimed art.
How Copyright Restrictions Suppress Art: An Interview With Nina Paley About "Sita Sings The Blues"
After pouring three years of her life into making the film, and having great success with audiences at festival screenings, she now can't distribute it, because of music licensing issues: the film uses songs recorded in the late 1920's by singer Annette Hanshaw, and although the recordings are out of copyright, the compositions themselves are still restricted. That means if you want to make a film using these songs from the 1920s, you have to pay money – a lot of money.
It's a classic example of how today's copyright system suppresses art, effectively forcing artists to make creative choices based on licensing concerns rather than on their artistic vision.
The music in Sita Sings The Blues is integral to the film: entire animation sequences were done around particular songs. As Nina says in the interview, incorporating those particular recordings was part of her inspiration. To tell her – as many people did – to simply use different music would have been like telling her not to do the film at all. And that's part of her point: artists "internalize the permission culture", which in turn affects the kinds of art they make.
The International Federation of Library Associations and Institutions is the respected global body representing libraries all over the world; in an open letter to the World Wide Web Consortium, the organization says the recent decision to standardize DRM for the web has undermined the web’s openness and the ability of libraries and other public institutions […]
Galaxy was one of the first pulps to explicitly bill itself as a magazine for “adults,” in 1950 under founding editor HL Gold.
Yesterday’s smashing Net Neutrality campaign showed that people have finally woken up to the risks of the highly concentrated telcoms sector using its commercial muscle to decide what kinds of services can flourish in the online world — but Big Internet doesn’t confine its efforts to control the future to playing around with packets.
The current web development landscape is rife with buzzwords and technology that gets abandoned almost as soon as it’s made. If you’ve never written a line of code before, it can be hard to figure out what’s coming, what’s here to stay, or how to get ahead.This Beginner Web Development Bundle is a great place […]
The Fader Stealth Quadcopter from TRNDlabs packs incredible flight performance into a package small enough to land on your phone screen, and it’s available now in the Boing Boing Store.The Fader’s six-axis gyroscope module gives it perfect balance in the air. This makes the onboard 720p HD camera all the better for shooting amazing flight […]
Although fully autonomous vehicles aren’t yet allowed on public streets, they are poised to dominate the roads in the not-too-distant future. But before that happens, Apple, Google, Uber, and other companies now investing in self-driving tech are going to need talented developers that can account for the dizzying array of factors at play when a […]