Music critic Daniel Stephen Johnson called Braithwaite Wallets "deliciously pretentious," and that pretty much sums them up. I mean, my new, now beloved, Braithwaite is called "Raptured," for Christ's sake! But if you're at all like me, you'll enthusiastically fork over your cash while cringing at their "Wallet Registry," some of the breathless prose on the site, and just generally getting this worked up over wallets. I've had my... er... heavenly Raptured for a few weeks now and I'm over the moon about it. It's actually a coat wallet, almost 7" long. I would rather have had a back pocket-style billfold, but I fell in love with the Raptured's steampunky design, with its laser-etched Art Deco-y flourishes and gold oriental brocade lining. I frequently carried my billfold wallet in my front pants pocket anyway, so I'm doing that exclusively now with this wallet. The Raptured is reasonably flat, so it doesn't create an unsightly bulge in your pants. There are seven, staggered, slots for your credit and ID cards, a place for bills, and one for receipts, etc. The full-grain, vegetable-tanned leather has a really nice old-world look and feel. It's really a beautiful, well-made piece that I'm sure I'll have for a long time. At first, the price of $127 seemed rather steep, but when you think about it, a wallet is one the few accessories a man carries, and you carry it all times. My last wallet was a Pierre Cardin I paid $40 over a decade ago. So $127 for something this handsome, this well designed, and well made -- that I'll likely carry for another ten years -- doesn't seem like that much. And that's the most expensive wallet Braithwaite makes. The other wallets run from $97 - $113. The other model I almost got was the Orpheus (below). It's an actual billfold style and made for guitar players, with a 3-slot guitar pick holder on the outside. They also make a wallet/Moleskine zipper case for $133. I've got my eye on that baby, too. "Deliciously pretentious" and a danger to your existing wallet in more ways than one.
Gareth Branwyn has been dog-paddling the waters of sidestream culture, as a participant and chronicler, for his entire adult life. He's been involved in the commune movement, the DIY and zine scenes, cyberpunk, steampunk, punk-punk, and has written for bOING bOING (print), Mondo 2000, Wired, Esquire, Details, and numerous other magazines and dailies. He is the editor-in-chief of MAKE magazine's blog, and is currently editing a collection of his work: "Borg Like Me & Other Tales of Art, Eros, and Embedded Systems."