My friend, DC-area video artist Rob Parrish, posts a weekly video on his site Next to Heaven. Each week, he goes onto Archive.org, sniffs out new raw material, dreams up an idea for a found art video, edits, audio-records, and then on Wednesday, releases a new piece. Some of the resulting videos feel immediate, small, off-the-cuff, others strike much deeper, more resonant chords, and are truly impressive in their impact, given the production timeline. I'm always impressed with Rob's clever use of the found footage. And I love his perverse sense of humor. Given the retro source material, there's a haunting quality to many of these videos, a pervasive sense of loss, faded memories, tragic childhoods, dreams unfulfilled, and dirty secrets unrevealed -- all usually leavened with humor and a healthy helping of the absurd. Above is Episode 41, about a junkie who replaces his love of smack with drug education films narrated by Paul Newman. Other favorites of mine include the special episode The Tapes of My Father, about a son who discovers that his late Public Access TV producer dad recorded his innermost thoughts over found video footage from the PATV archives, and Episode 49, which has a man reminiscing about his macho childhood of sports and trouble-making while the video shows a young boy timidly putting on his mother's make-up.
Gareth Branwyn has been dog-paddling the waters of sidestream culture, as a participant and chronicler, for his entire adult life. He's been involved in the commune movement, the DIY and zine scenes, cyberpunk, steampunk, punk-punk, and has written for bOING bOING (print), Mondo 2000, Wired, Esquire, Details, and numerous other magazines and dailies. He is the editor-in-chief of MAKE magazine's blog, and is currently editing a collection of his work: "Borg Like Me & Other Tales of Art, Eros, and Embedded Systems."