Journalist and writer Rick Poynor confronts his old, abandoned typewriter and appreciates it:
Examining my Olympia again, I'm struck by how powerfully its form and image embody and express the idea of writing, as does almost any typewriter. Like the telephone at an earlier phase in its development when it still had a distinct earpiece and mouthpiece at either end of a handle, the fully evolved typewriter is a 20th-century industrial archetype. It feels inevitable, almost elemental, like one of those object types, such as a chair or a fork, that simply had to exist in this universe of forms. Even now (but for how much longer?) a typewriter is the icon to show if you want to convey the idea of a dedicated literary life. The title page of The Rough Guide to Cult Fiction -- just out -- shows a portable typewriter on a desk with other writing paraphernalia. Turn the page and the caption reads "The essential equipment of a cult author, as collected by William Burroughs." Burroughs receives the longest entry in the book. The ultimate cult author -- the ultimate writing machine.
If you think that your phone may have been hacked so that your adversaries can watch you through the cameras and listen through the mics, one way to solve the problem is to remove the cameras and microphones, and only use the phone with a headset that you unplug when it’s not in use.
Lured by the internet’s pervasive insistence that it represents a superior, more comfortable typing experience, I recently went back to an old-timey mechanical keyboard. This was a mistake. I am now a hamfisted ASCII jazz disaster.
SpareOne Emergency Phone is a basic cellphone powered by AA batteries. This gives it a relatively short time on a charge, but means that it will have a charge after being stuffed in a drawer or glove box for months. I came across this during my search for the perfect basic phone, but be warned: […]
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