Autumn sez, "DJs at local underground parties have been losing their laptops to police raids - even when they're not DJing. They're being told that they'll lose their laptops - and often their livelihood - for an indefinite period of time, with no information on when or how to get their property back. The EFF has taken on the defense of several local DJs, but this is having a huge effect already on the local dance scene."
Over the past six months, music fans who have been spinning records -- or even just attending friends' events -- claim their laptops, soundboards, and mixers have been taken by the cops in police raids. The busted gatherings include an illegal dance party, an artist fundraiser, and a private Halloween bash. While it's unclear whether the lack of official permits was enough reason to close down all these parties, the bigger question is why the police are seizing and holding private property that DJs and attendees use as valuable tools for making their art and living.
Mike Holmes, aka DJ White Mike, was a recent victim of an SFPD sweep. On Halloween night, he DJed at the Beauty Bar and then hit a friend's costume party at a SOMA loft. He stored his bag, which held his laptop, in the DJ booth to prevent it from getting swiped. Ten minutes later, around 2:30 a.m., he says the police arrived and announced that they were taking all the laptops in the warehouse space. "I tried to explain that I wasn't even playing at the party," he says. Nonetheless, his computer was seized by a cop who identified himself as part of a "task force," who told him that he shouldn't expect to get his laptop back "for at least three months." Other DJs at the party claim to have received similar warnings -- as well as threats of jail time, if they were seen DJing at warehouses again -- from officers who said they were part of a task force.(The SFPD claims it does not have a specific task force looking at underground parties, but it does routine checks in the SOMA area, sometimes with other agencies such as the California Department of Alcoholic Beverage Control, for permit and other violations.)
The Patterning’s Patrick Metzger reports on the increasing prevalence of a repeating two-note motif in pop music, bouncing between the fifth and third notes of a major chord. The Millenial Whoop is everywhere.
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