"Not much changes on the street, only the faces." George Alec Effinger's When Gravity Fails (Walton, Tor.com)
Effinger's writing on the word and sentence level is just beautiful, the voice is perfect, and remains so all the way through, and the way he wraps the theme around there is what he does in the whole book.
This was a book that couldn't have happened without cyberpunk, but which itself isn't cyberpunk. There are no hackers here, and almost no computers--though it feels reasonable for the Budayeen that there wouldn't be. Holoporn, yes, drugs to get you up or down, prostitutes of all genders and some in between, personality modules of anything from salesmen to serial killers via sex kittens, but no computers. The street is what comes from cyberpunk, and perhaps the neural wiring, a little. But what Effinger does with it, making it a North African street that really feels like something out of the future of another culture, is entirely his own. Effinger said the Budayeen was based on the French Quarter of New Orleans, where he lived, as much as it was based on anywhere, but it has the feel of a real place, grimy and edgy and run down and full of the wrong sort of bars.
I write books. My latest is a YA science fiction novel called Homeland (it's the sequel to Little Brother). More books: Rapture of the Nerds (a novel, with Charlie Stross); With a Little Help (short stories); and The Great Big Beautiful Tomorrow (novella and nonfic). I speak all over the place and I tweet and tumble, too.