Features Podcasts Family Video Comics Music Tech Science Books Film & TV Games ✚

Jill

Grassroots archaeology and a 19th century murder mystery

Maggie Koerth-Baker at 11:19 am Wed, Mar 23, 2011

— FEATURED —

THE LATEST

Guatemala: Archive of documents from Rios Montt genocide trial, overturned 10 days after guilty verdict

Feature

Eurovision 2013: An American in London

Book Review

The Twelve-Fingered Boy - mesmerizing YA horror novel

Book Review

Black Code: how spies, cops and crims are making cyberspace unfit for human habitation

— FOLLOW US —

Boing Boing is on Twitter and Facebook. Subscribe to our RSS feed or daily email.

 

— POLICIES —

Except where indicated, Boing Boing is licensed under a Creative Commons License permitting non-commercial sharing with attribution

 

— FONTS —

Tweet
Kindle
duffyscut.jpg

In June of 1832, the 57 Irish migrant workers arrived at the docks of Philadelphia. Their job was to lance a flat path for the track through steep, hilly terrain. In railroad parlance, this is known as a 'cut' and thereafter that stretch of track would be known as Duffy's Cut. Six weeks later, they would all be dead.

A lot of eerie folklore and some community organized archaeology uncover a murder mystery on Philadelphia's Main Line.

Image courtesy the Duffy's Cut Project

Maggie Koerth-Baker is the science editor at BoingBoing.net. She writes a monthly column for The New York Times Magazine and is the author of Before the Lights Go Out, a book about electricity, infrastructure, and the future of energy. You can find Maggie on Twitter and Facebook.

Maggie goes places and talks to people. Find out where she'll be speaking next.

MORE:  Community • Science • Weird

More at Boing Boing

Eurovision 2013: An American in London

The technology that links taxonomy and Star Trek

  • Anonymous

    Who knew we had our own Helfire Pass http://en.wikipedia.org/wiki/Hellfire_Pass in PA?

  • skysky

    I looked at the picture before reading the headline and thought “this looks so familiar.” It’s literally where I grew up. Gross, another thing to think about when I visit my parents. Will make a cool story to tell visitors though.

  • pupdog

    This is also the basis for the song ‘The Hardest Mile’ on the new Dropkick Murphy’s Album ‘Going Out In Style’ – http://www.youtube.com/watch?v=7FU9Vh5fovc

  • jeffasselin

    Fascinating archeological mystery, I am especially intrigued by the missing newspaper edition.

    It’s just a shame the article devolves into pseudoscientific ghost “research” and contacting the “dead”.

    • dculberson

      Agreed; the article was great until it got into the ghost bits. Well, can’t please everyone I guess!

      • Flaminica

        Can’t please everyone indeed. I liked the uncanny bits. You don’t have to wear tinfoil and believe in (Casper the Friendly) ghosts to believe that such a degree of violence and suffering can imprint a mark on a site, especially if it’s rocky. We are after all, electromagnetic machines of great power. More things in heaven and earth, Horatio…

        I’m more disappointed by the intent to “give the men a proper Christian burial.” Why assume they were all Christian?

        • Anonymous

          Imprint a mark on a site, especially if it’s rocky? Electromagnetic? Hogwash.

          As to your other point, you’re the one making assumptions about people making assumptions. Giving the men a proper Christian burial does not assume that they were Christian, although I would likely assume that Irish migrant workers in 1832 would have been Christian. Why not assume that?

          • Anonymous

            I AM in fact electromagnetic(ally conductive). Each morning when I turn to the wrong side, my radio standing next to the bed gets bad reception. Didn’t try to wear tinfoil during the night though – and it also might the effect of a ghost that I shove out of the bed accidentally.

        • Mister44

          re: “Why assume they were all Christian?”

          It was 1857 and they were Irish. That is a pretty safe assumption. Even today that is a pretty safe assumption with ~95% of them are Christian (IIRC).

        • sievetronix

          I think the assumption is they are Catholic with pretty good reason to assume they are.

          …and as someone who does’t believe in god or ghosts I don’t think they will care in any case. But the gesture is nice.

    • bjacques

      Well, if nothing else, it points out the benefit of spreading such information beyond the reach of those who would erase or at least bury it.

      The part about the figures with the tiny heads hopping and bobbing (to the Crocodile Rock?) had enough of the Thomas Ligotti-esque to it I’ll never ever go to Duffy’s Cut, even if the “curse” appears to have been lifted. I don’t believe in ghosts, but I do believe in my capacity to creep myself out.

      Anyway, hurrah for justice of a sort.

  • Bionicrat2

    Thanks for pointing this story out. A blast to read!

  • Anonymous

    The article states: “…living bones break differently than dead bones,” says Monge.

    Even recently dead?

  • InsertFingerHere

    Those recordings are lame… If a ghost can influence an AM radio tuner to create relevant answers, then it shouldn’t be to hard to present them with some form of EM-field keyboard so they can be specific in their bitching (an Irish keyboard in this case).

    We got ramps, braille, talking signs, seems like no one is putting any effort into serving the needs of the tortured dead.

    Would love to add Great-great Grandpa Jack to my Friend’s & Five.

    • Bucket

      I agree, those recordings are really lame.

      It’s not even pareidolia, hearing things in white noise, it’s just a radio playing snippets of people talking. Of course you’re going to hear crazy stuff, especially if there’s what sounds like a bible-thumpin preacher on the strongest signal.

      I mean, people can’t be that stupid, can they? It’s as if you were to take a stick and claim that it could find water, only you’re on a continent that’s almost entirely covered in easily discoverable aquifers….

      oh. wait.