, the tenth volume of Brian Wood's fantastic (anti-)war comic DMZ
, follows the format set out in the first half of book nine
: a series of short vignettes that jump from character to character, setting to setting, each illustrated by different artists,It's a chance for the illustrators who've been captured by Wood's apocalyptic, besieged New York City to play around in his world.
Collective Punishment is the story of a "surge" aimed at breaking the back of the resistance in Manhattan, the titular DMZ in a dirty civil war that has split America. Told from the points of view of traitors, refugees, artists, prisoners, power brokers, radicalized civilians and soldiers, the powerful and the powerless, these stories are particularly poignant today, as bombs fall in Libya and security forces shoot at protesters in Syria and Bahrain.
Wood's version of a war story is all grit, no romance. As always, he's telling the story of people who are the involuntary spectators and participants in someone else's clash of civilizations. It's a perspective that's simultaneously unforgiving and deeply emphatic, and it's why Wood's DMZ is some of the best material written about war in any medium.
DMZ Vol. 10: Collective Punishment
Nitesh Dhanjani’s 2015 O’Reilly book Abusing the Internet of Things: Blackouts, Freakouts, and Stakeouts is a very practical existence-proof of the inadequacy and urgency of Internet of Things security.
the Birds in the Sky is everything you could ask for in a debut
novel — a fresh look at science fiction’s most cherished memes,
ruthlessly shredded and lovingly reassembled.
The launch of Starve, the new comic from Brian Wood, creator of the landmark DMZ and artists Danijel Žeželj and Dave Stewart, was widely celebrated as a major new comic that started as strong as Warren Ellis’s Transmetropolitan.
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