Thus far, it sounds like a story about a kid who's dad is mentally unbalanced, or neglectful, or sadistic, but when Joey stows away in the bed of his father's truck to see where the old man goes on his long absences, he learns the truth: his father is a grave robber.
Joey's intrusion into his father's secret life opens a floodgate in the old man, and before long, Joey has become his somewhat unwilling apprentice, though his reluctance turns to enthusiasm as he is inducted into the many mysteries and traditions of the ancient brethren of grave-robbers. Kraus takes us on a narrative tour of the science of putrefaction and decay, the economics of the funeral industry, the history of the Resurrection Men who plundered English and Scottish graves to fill the dissection rooms of hungry medical colleges.
But most of all, Joey learns about his mother's secret past, the strange circumstance that brought her and his father together and the tragedy that drove them apart, and as he unlocks his own history, Joey begins to master his bullies at school and the relationships in his life.
Rotters is an epic, 450 pages long, and it is as suspenseful and masterfully told as it is gruesome and terrifying. Kraus conveys the full horror and beauty of our bodies' inevitable return to the soil without playing for cheap thrills or easy gross-outs. You'd be hard pressed to find a coming-of-age story as satisfying as this in any YA novel. That Kraus manages this tour-de-force in the midst of liquefying corpses and maggoty dirt is a marvel itself, and marks him out as a writer whose future books I'll anticipate with impatient pleasure.
I write books. My latest is a YA science fiction novel called Homeland (it's the sequel to Little Brother). More books: Rapture of the Nerds (a novel, with Charlie Stross); With a Little Help (short stories); and The Great Big Beautiful Tomorrow (novella and nonfic). I speak all over the place and I tweet and tumble, too.