Features Podcasts Family Video Comics Music Tech Science Books Film & TV Games ✚

Jill

Nina Paley's Attribution Song - the difference between copying and plagiarism

Cory Doctorow at 10:45 am Wed, Jun 29, 2011

— FEATURED —

THE LATEST

Guatemala: Archive of documents from Rios Montt genocide trial, overturned 10 days after guilty verdict

Feature

Eurovision 2013: An American in London

Book Review

The Twelve-Fingered Boy - mesmerizing YA horror novel

Book Review

Black Code: how spies, cops and crims are making cyberspace unfit for human habitation

— FOLLOW US —

Boing Boing is on Twitter and Facebook. Subscribe to our RSS feed or daily email.

 

— POLICIES —

Except where indicated, Boing Boing is licensed under a Creative Commons License permitting non-commercial sharing with attribution

 

— FONTS —

Tweet
Kindle

Nina Paley's latest meme-y video, "Credit is Due (The Attribution Song)" is a great, provocative one-minute short on the value of correctly attributing work when you use it. Paley is a thoughtful copyright abolitionist, and she uses this song to talk about the difference between plagiarism (a kind of fraud) and copying (the basis for culture).

In the accompanying essay, Paley cops to the complexity of "always giving credit," and discusses the difficulty of exhaustively crediting everyone who's made a contribution to your work:

Attribution is a way to help your neighbor. You share not only the work, but information about the work that helps them pursue their own research and maybe find more works to enjoy. How much one is expected to help their neighbor is determined by (often unspoken) community standards. People who don't help their neighbors tend to be disliked. And those who go out of their way to deceive and defraud their neighbors - i.e. plagiarists - are hated and shunned. Plagiarism doesn't affect works - works don't have feelings, and what is done to one copy has no effect on other copies. Plagiarism affects communities, and it is consideration for such that determines where attribution is appropriate.

At least that's the best I can come up with right now. Attribution is actually a very complicated concept; if you have more ideas about it, please share.

Credit is Due (The Attribution Song) (via Command Line)

I write books. My latest is a YA science fiction novel called Homeland (it's the sequel to Little Brother). More books: Rapture of the Nerds (a novel, with Charlie Stross); With a Little Help (short stories); and The Great Big Beautiful Tomorrow (novella and nonfic). I speak all over the place and I tweet and tumble, too.

More at Boing Boing

Eurovision 2013: An American in London

The technology that links taxonomy and Star Trek

  • boo

    Credit ‘is’ due!

    Please, please, please acknowledge an obvious source. I don’t give a shit if you copy Michelangelo, whose copyright ran out long ago.

    Be respectful of your sources: remember that they have lives to live and bills to pay.

  • Blackwell

    Whenever I listen to the cast album of “The 25th Annual Putnam County Spelling Bee,” I can’t help but imagine the fantastic job Nina Paley would do if she were to animate it as a feature movie. Unfortunately, for that kind of major project, she is likely going to have to deal with producers that very-strongly believe in copyright.

  • Tavie

    Was it here that I saw Paley’s Minute Meme#1 – Copying Is Not Theft linked, too? Good stuff.

  • holtt

    Has she done any purely art pieces since Sita Sings the Blues? It was brilliant.

  • robcat2075

    By omitting the whole issue of permission she’s implying it’s fair use if you just give attribution.

  • jfrancis

    What??? I heard someone else wrote this song.

  • oyvinja

    I fear that might not have been the real Beethoven, but an impersonator; he was suspiciously tech savvy for a person who’s been dead for so long. A disguised agent for the RIAA, perhaps?

  • JoshP

    The thing about use and copy… well modern copy, well its modern connotation,ahem, is it’s difference to different people for different things. Like a lot of us I grew up reading classic mythology. When I got older I found out that the western poetic tradition, for good or ill or whatever, was steeped in reference. It allowed the poet to increase the symbolic content of his work while keeping the piece itself short, ya know, like concentrated orange juice. So when a poet or writer starts ‘copying’, hell even when a pop artist is ‘copying’, is it a reference, an homage, a critique, a satire, a tongue in cheek jest?? This should be up to the consumer if done correctly. It should never, ever, however be up to a lawyer… just saying.

  • MacBookHeir

    Nice video, in a “Ren and Stimpy” kind of way – I was thinking Nina could have used a more relevant composer or artist, as the works of Beethoven are in the public domain. Many public domain works (especially the Blues) are slightly re-written or re-titled by modern artists and therefore need no attribution. Otherwise, I really like the “Ren and Stimpy” influence on this video!

    • Cory Doctorow

      Her whole point is that attribution is a separate, ethical/normative issue from copyright, and so she deliberately chose a public domain artist.

  • mail4joeg

    Ummm – Did they get permission for the PERFORMANCE of that Beethoven riff at the end???

    Irony alert, run amok.

  • agreenster

    /sarcasm/

    Yes, because plagiarism on the internet is a huge problem these days. Sharing copyrighted music, movies, software and games on the internet, however, is not a problem at all. Nope. Not a bit.

    /sarcasm/

  • Anonymous

    Love her use of Besmirch and Search for a rhyme!

  • Anonymous

    I find it deeply strange that the vocals in this cutesy video were done by Bliss Blood, the frontwoman of dark and sinister industrial band Pain Teens