Novelist Deeanne Gist presented at the annual Romance Writers of America conference on the intricacies of Victorian underwear, and the futility of ripping bodices (there's more shirts underneath 'em):
It took an hour for Ms. Gist to squeeze into a dozen layers that a lady would have worn in the 1860s--stockings, garters, bloomers, chemise, corset, crinoline or hoop skirt, petticoats, a shirtwaist or blouse, skirt, vest and bolero jacket. By the end, workshop attendees were skeptical that seductions ever occurred, with so many sartorial barriers.
"How did they ever have hanky panky?" asked novelist Annie Solomon.
With great effort, it turns out. Women wore blouses under their corsets--making actual bodice ripping fairly pointless. Corsets fastened in front and laced up the back and couldn't be undone in a single passionate gesture. "You'll see pictures of corsets on bare skin. That's completely historically inaccurate," Ms. Gist told her audience.
I asked Amy Parness, the co-founder of Sparkle Labs, maker of fantastic educational electronics kits, to write a Medium post about gender and the business of being a maker business person. Her terrific essay calls out the problems with “pink girly engineering kits.” From Medium:
Zero UI is the new term for “invisible interfaces”—what happens in the future when all the clicking and tapping and typing is history: “If you look at the history of computing, starting with the jacquard loom in 1801, humans have always had to interact with machines in a really abstract, complex way.” [Fast Company]
The Lytro Illum dares to be different, boasting even more robust features than its first generation predecessor and a sleek design reminiscent of professional DSLRs. What’s so cool about it? Most cameras capture the position of light rays, producing a statoc 2D image.
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