Teller (of Penn & Teller fame) is working on a stage adaptation of William Peter Blatty's The Exorcist. Teller's got an eclectic, less-well-known scholarly/serious bent, having contributed to peer-reviewed work on the neuroscience of magic as well as directing an acclaimed performance of Macbeth. From the early notes, it sounds like this adaptation will play off Teller's advocacy for atheism.
Unlike William Friedkin’s film of The Exorcist (which isn’t anywhere near the best film of all time, just for the record), this play will “focus on the psychological aspects and questions of faith.” At least, that’s according to Ken Novice, the MD of New York’s Geffen Playhouse, where the play will premiere in July 2012. I can see that the film is at least supposed to focus on those same things, and when it works, it’s because it does...
Re the above quotation, Chelsea writes, "I'm the communications coordinator at the Geffen Playhouse, and while I appreciate your recent post on our upcoming production of The Exorcist, there are a few factual errors. First, the Geffen Playhouse is in Los Angeles. Second, Teller is helping out with some of the special effects for the play, but he is not one of the producers nor is he 'bringing the play to the stage.' The Geffen Playhouse is producing the show, John Doyle is directing the show and John Pielmeier is writing the show."
(via The Mary Sue)
Amanda Rousseau’s self-learning materials for her Malware Unicorn workshop are a fantastic introduction to understanding and analyzing malware, covering the techniques used by malware authors, reverse-engineering tools, and three kinds of analysis: triage, static and dynamic.
The Do-It-Yourself Monster Make-Up Handbook is a 1965 classic: Famous Monsters of Filmland founder Forrest Ackerman tapped movie makeup legend Dick Smith to create guides for turning yourself into any of three Martians, two kinds of werewolf, a “weird-oh,” a “derelict,” a ghoul, a mummy, Frankenstein’s monster, Quasimodo, Mr Hyde, “split face,” and more.
These Japanese robots’ performance of “Robot’s Delight” — an extended, braggadocios riff on the state of AI learning-through-imitation research, with break-dancing — won Best Video at the 2017 ACM/IEEE International Conference on Human Robot Interaction. (via 4 Short Links)
Thread count isn’t like one of those deceiving metrics like camera megapixels or Facebook friends—more threads are always better if you can afford them. If price was no object, we would all be snoozing soundly bundled up in 1.8 kilo-thread sheets every single night. Guess what? Price doesn’t have to be an object with this […]
Maybe it’s entirely because of podcast ads, but drag-and-drop tools like Squarespace have gotten immensely popular in recent years. While it’s definitely a great tool for any non-coders who want to get a small website up and running quickly, managing content with a primarily visual interface can become a pain once you have more than […]
When you can’t wait for the world’s longest meeting to end, the mindless leg bouncing makes your boredom obvious and just annoys everybody else. Everyone knows the TPS reports need the damn cover sheet, but some sadistic colleague keeps forgetting, probably on purpose just to eat into your lunch hour. Enough is enough!While serving a […]