Teller (of Penn & Teller fame) is working on a stage adaptation of William Peter Blatty's The Exorcist. Teller's got an eclectic, less-well-known scholarly/serious bent, having contributed to peer-reviewed work on the neuroscience of magic as well as directing an acclaimed performance of Macbeth. From the early notes, it sounds like this adaptation will play off Teller's advocacy for atheism.
Unlike William Friedkin’s film of The Exorcist (which isn’t anywhere near the best film of all time, just for the record), this play will “focus on the psychological aspects and questions of faith.” At least, that’s according to Ken Novice, the MD of New York’s Geffen Playhouse, where the play will premiere in July 2012. I can see that the film is at least supposed to focus on those same things, and when it works, it’s because it does...
Re the above quotation, Chelsea writes, "I'm the communications coordinator at the Geffen Playhouse, and while I appreciate your recent post on our upcoming production of The Exorcist, there are a few factual errors. First, the Geffen Playhouse is in Los Angeles. Second, Teller is helping out with some of the special effects for the play, but he is not one of the producers nor is he 'bringing the play to the stage.' The Geffen Playhouse is producing the show, John Doyle is directing the show and John Pielmeier is writing the show."
(via The Mary Sue)
How To Cake It’s “Deep Red Velvet Brain Cake with Fondant Brain Tissue and Raspberry Jam Blood” is pretty much exactly what it sounds like, only it has to be seen to be believed.
That baby in the snugli is no baby: it’s a hollow baby doll fitted with a booze-filled rehydration bladder with an access-straw in the forehead, beneath its wooly cap.
This/next week, I’m speaking in events in Park City, Utah (Future in Review); Boston (The Freedom to Innovate Summit, the Berkman Center and Suffolk University); Toronto (Seneca College); Markham (In Conversation and Storytellers); and the University of Waterloo! Come say hi! (Image: Terri Oda, CC-BY)
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