Did you know that Nokia has a "luxury" subsidiary that makes phones for stupid rich people?
As the European cellular industry's supernumerary nipple, Vertu has long specialized in calculator-display brickphones that look like dragon poo rolled in gemstones. It lumbers along the dried slugtrail of progress, having just announced its first touchscreen Symbian handset--sure to be an LG Prada-killer!
Just in time for the 75th anniversary, some photos of the "first" science fiction convention, in Leeds (shown here, Walter Gillings, Arthur C. Clarke, Ted Carnell, in front of Theosophical Hall). Although the site pooh-poohs the idea that the first Philcon was the first-ever con, I'm somewhat loyal to the notion, for the completely ahistorical and biased reason that I was Philcon's guest of honor this year, 75 years after its first gathering.
In January 1937, the Leeds chapter of the Science Fiction League brought something new into the world: the first ever SF convention. (A counter claim is made for an earlier visit of New York fans to meet Philadelphia fans at the home of one of their number, but this is hard to take seriously - see THE FIRST EVER CONVENTION, link below.) At a time when travelling any distance was much more difficult than it is today, several of those attending travelled hundreds of miles to be there. Held in Leeds' Theosophical Hall, at 14 Queen Square, the main order of business was setting up the Science Fiction Association, the UK's first national SF organisation.
Avi Solomon: What first sparked your lifelong fascination with botany?
Avinoam Danin: My parents told me that when I was 3 years old I always said "Look father, I found a flower". My grandparents gave me the book "Analytical Flora of Palestine" on my 13 birthday - I checked off every plant I determined in the book's index of plant names.
Avi: How did you get to know the flora of Israel so intimately?
Aerodyne is Jeffrey Stephenson's latest hand-made Art Deco PC. In keeping with the (modern) times, it's a compact Mini-ITX affair in mahogany and aluminum, with an Intel i3 CPU, 8GB of RAM and a 256GB solid state drive. Stephenson plans to make no more than a handful of them, to order.
When [Rock] Santorum was in high school, "Everybody called him 'Rooster' because of a strand of hair on the back of his head which stood up, and because of his competitive, in-your-face attitude. 'He would debate anything and everything with you, mostly sports,' [a friend recalled]. 'He was like a rooster. He never backed down.'" That profile also contains this description of the young Santorum, before he met his wife, courtesy of a cousin: "Rick was a funny guy. He sported a bushy moustache for a time, wore Hawaiian shirts and smoked cigars. He liked to laugh, drink and call things 'horsey-assey.' He was very popular and fun to be around."
From an article my cousin, Molly Ball, wrote for The Atlantic, called "Who is Rick Santorum?"
[Video Link] I'm looking forward to Into the Zone, a documentary about the Cacophony Society, which was a pranksterish underground cultural movement from San Francisco that paved the way for Burning Man. There will be a screening on Saturday, February 4, 2012 in Santa Ana, CA, followed by a Q&A session with the filmmaker Jon Alloway and Cacophony instigators that I'll be moderating. Hope to see you there!
Mighty God King lives up to his handle with this fab series of truth-in-advertising shoops of old Atari game box-art, in which the true nature of the games is revealed in their titles.
In 1944 a children’s book club sent a volume about penguins to a 10-year-old girl, enclosing a card seeking her opinion.
She wrote, “This book gives me more information about penguins than I care to have.”
American diplomat Hugh Gibson called it the finest piece of literary criticism he had ever read.
Maybe there’s a legitimate law enforcement reason to strip a man naked, strap him to a chair, tie a “spit hood” around his mouth, put a hood over his head (see video at the link), and douse him with pepper spray until he dies. That’s what sheriff’s deputies in Lee County, Florida did to 62-year-old Nick Christie two-and-a-half years ago.
I certainly can’t think of any such legitimate reason. But Lee County State’s Attorney Stephen Russell apparently can. Because he cleared the deputies involved of any wrongdoing.
In Gingerbread Girl, a graphic novel by Paul Tobin, and illustrated by Colleen Coover, Anna Billips is a outwardly-cheerful and carefree 27-year-old woman who is convinced that her Penfield Homunculus was surgically removed from her brain when she was 9 years old.
Here is how one of the characters in the book (her off-and-on girlfriend Chili) defines the Penfield homunculus: "a physical phenomenon named after its discoverer, Wilder Penfield. It's right here in each of our brains, and it's a human-shaped template for your sense of touch. It's stunted and twisted but it's there. If I touch someone's hand, their Penfield Homunculus registers the sensation in its own corresponding region."
Anna claims her father removed her homunculus when she was 9 years old, around the time that her parents were having vicious arguments leading up to a divorce and her father's abandonment. Anna believes that her homunculus (which resembled a gingerbread cookie when it was removed from her brain) developed into a twin sister she named Ginger. When Anna was young, Ginger was her sister and playmate, but as she grew older Ginger drifted out of her life. Because Anna lost her original homunculus, she is unable to sense the world in a subtle way. A primitive homunculus grew in the void in her brain, but it only allows her to feel things in "black and white."
In Gingerbread Girl, Anna is always on the lookout for Ginger. In between searches through parks and shops, she dates a woman named Chili and a man Jerry, enjoying the fact that they are jealous of each other.
Author Paul Tobin's story is as complex and engaging as possible for a small-format 104-page graphic novel. It's a kind of story I probably wouldn't have enjoyed much as a text only novel, but I found this graphic novel to be enthralling. It's told in the fake documentary style of The Office, where characters occasionally address the reader to give background information. It's a gimmick, but an effective one that works well here.
I'm a sucker for Colleen Coover's art style: clean solid black-and-white art with monotone color shading. I want to seek out more of her work.
Because of the adult themes, Gingerbread Girl is probably best for readers 16 and older.