As part of his Mondo 2000 History Project, R.U. Sirius uploaded a couple of Robert Anton Wilson recordings from a Reality Hackers Forum from 1988.
I can’t remember if having RAW give a lecture titled “The CIA-Vatican-Cocaine Conspiracy” was his idea or ours. I think it was our idea based on the fact that he’d written about it somewhere and we thought it was interesting.
Although he was no longer really a staff member, Lord Nose was still a pal to us all and he somehow got the assignment to pick Bob up from the airport. Now, Nose didn’t tolerate anyone smoking in his car and Bob was a smoker’s rights militant (a fact that would later cause his column to be dropped from Mondo … not my idea, but that story is for later.) So Bob got into Nose’s car and lit one up and Nose asked him to put it out. I don’t recall how that standoff was resolved, but (like Nose’s lungs) I heard about it secondhand and that Bob was peaved.
But after he visited with some friends, it was a jovial RAW who showed up at Julia Morgan Theater for a talk that was at the top of his game. He didn’t follow the script very closely, but it didn’t matter — it was big mind-stimulating fun for all. Some fragments of the talk — which will be included on the Mondo 2000 History Project Website when it’s made public — are presented below.
Should non-millionaires be able to invest small amounts, like up to $100 or $1000, in small, local businesses or other ventures that they believe in, without the ventures having to spend tens of thousands (or more) on state or federal securities compliance? I believe so, provided that the offerings can be seen and discussed openly, and have other requirements and limitations to prevent abuse.
I think this legalization of crowdfunded securities would create meaningful jobs and enable grassroots innovation on an enormous scale. Maybe I'm overestimating, but I see it as a regulatory change comparable in importance to the revision of NSF's Acceptable Use Policy, which first allowed commercial traffic on the Internet. That early 1990's policy democratized the flow of information the way a well-implemented crowdfunding exemption would democratize the allocation of human effort.
Largely under the radar, crowdfunding exemption proposals have progressed to a point now where the first bill, H.R.2930, overwhelmingly passed the House, with White House support, and is now under review by the Senate Banking Committee, along with two competing bills, S.1719 and S.1970. Other countries are looking to the U.S. as an example on this issue.
Grace Brown created "Project Unbreakable" in October, 2011, and the tumblog appears to really be gathering momentum. The idea: "Use photography to help heal those who were sexually abused by asking them to write a quote from their attacker on a poster and photographing them holding the poster."
So many stories from so many different people. Men, too, not only women. I was so moved by this post, which includes both a photograph and an audio narrative by an elderly woman who was sexually abused as a 12-year-old girl during World War II in Germany. Do listen to her story.
"You can never forget it. It is in your brain, marked like a stamp," she says. "I still suffer from it."
Above, "Dixon crossing Niagara below the Great Cantilever Bridge," U.S.A., 1895-1903. And you can make your own, with Stereogranimator, a new project from
NYPL Labs. Stereogranimator is " a tool for transforming historical stereographs from The New York Public Library's vast collections into shareable 3D web formats."
Above, one of the bronze sculptures to emerge from the Object Breast Cancer project by art duo caraballo-farman. Snip from the project description:
1.3 Million women in the world are diagnosed with breast cancer each year.
For most, the tumor has no image.
It’s an invisible monster, an unseen malignancy.
OBJECT BREAST CANCER (OBC) is based on the conviction that artistic interventions can have important social and psychological effects.
The project includes sculptural and installation work as well as jewelry.
I don't know that I'd want to wear jewelry made from a model of the mass we're trying to eliminate inside me, but there is something primordially satisfying in the idea of being able to clearly see the contours, shape, size, and character of this thing.
I always ask for a copy of my data when I get medical scans related to my cancer treatment, and it would be really interesting to take the "before chemotherapy"/"after chemotherapy" scans and see if I could get a 3D printout of the cancerous mass, as it (science willing!) shrinks. Not that I'd want to look at it all the time, you know? But I really would like to just see the goddamned thing, and understand it, visually. Once.
Made from a door found at a outdoor market in Modena, the table is outfitted with a custom steel frame and new hinges that enable the shutters to open and close at will. When flat, the table can accommodate up to 8 diners, while lifting the back panel open reveals an instant-work desk, complete with rawhide pockets to hold your empty leather-bound sketchbooks and drawers to keep that super 8 camera you’re planning to restore (never going to happen). In the words of the makers, “it’s a table, it’s a desk, it’s a streetdoor.” When it’s time for dinner just lower the top half and lock up.
My friend Randall de Rijk, noted collector of vernacular photographs, shares with us this absolutely magnificent snapshot used on the cover of Ransom Rigg's young adult novel Miss Peregrine's Home for Peculiar Children. It has just sold on eBay for $600. The photo is far more beautiful and weird stripped of its recontextualisation as a book jacket.
Michael Geist sez, "Throughout the fall, I ran a daily digital lock dissenter series, pointing to a wide range of organizations representing creators, consumers, businesses, educators, historians, archivists, and librarians who have issued policy statements that are at odds with the Canadian government's approach to digital locks in Bill C-11. While the series took a break over the Parliamentary holiday, it resumes this week with more groups and individuals that have spoken out against restrictive digital lock legislation that fails to strike a fair balance.
Recounting the series to date, it illustrates that no amount of spin can disguise the obvious opposition from groups representing millions of Canadians to the Bill C-11 digital lock provisions. This includes leading business organizations, creators groups, consumer associations, educators, librarians, representatives of the visually impaired, civil liberties groups, archivists, and historians."
My friend Ken Hollings is a master at connecting the dots between avant garde art history, outré culture, weird science, and basically everything that interests me. You might recall that Ken is the author of the absolutely fantastic radio series and book "Welcome to Mars," about the "fantasy of science in the early years of the American Century" involving nuclear war, LSD, flying saucers, the occult, B movies, and the space age. Here he is talking about John Cage and many, many other things. This was part of the 2011 "Off the Page" music criticism and audio culture literary festival that takes place in the seaside town of Whitstable in Kent, England. This year's festival is February 24 - 26 and will feature the likes of Simon Reynolds, Gavin Bryars, and BB pal Mark Pilkington! Off The Page 2012
Toys And Techniques posted several wonderful scans from Christopher Hills' fantastically-titled "Rays From The Capstone: The story of the psychotronic generator of the pi-ray and the incredible coffer." It was published in 1976 by the University of the Trees press. According to Amazon, Hills has written several books, including "Secrets of the Life Force," with a terrific eye-in-the-pyramid cover illustration, and "Supersensonics: The Science of Radiational Paraphysics." I like the design and illustration of Rays From The Capstone. It looks like a mix of Whole Earth Review, 1980s 'zines, and the occult weirdness that New Falcon books used to publish. "Rays from the Capstone"