Ruben Bolling at 8:50 am Wed, Feb 1, 2012
WE INVITE you to visit the TOM THE DANCING BUG WEBSITE, and ENCOURAGE you to follow RUBEN BOLLING on the TWITTER.
MORE: copyright • Disney • God-man • morality • romantic dog movies set in the 1910s • Tom the Dancing Bug • tomthedancingbug
Eurovision 2013: An American in London
The technology that links taxonomy and Star Trek
Tune in next week, when God-Man destroys all public libraries, and prevents browsing in bookstores!
Wait until they require electric shock therapy to purge memories of works unless you have a long term memory license.
That IS a great idea!
If he’d do that to eBay I’d feel better.
How does one pronounce “Mekxarxt?” When is the omnipotent God Man going to whip up some copyright-protected t-shirts for us, eh?
Why would Bill Gates be downloading Lady and the Tramp?
Bill Gates has kids too ya know.
As porn? Perhaps he’s a massive furry or something.
I’d like to see God-Man’s take on the evil arch-villain, Mitt The Newt!
“When Disney made the movie, they expected it to be in the public domain, today!” — Au contraire; The Walt Disney Corp. has been the biggest single force driving copyright term extension. If you’ll notice, the last two copyright extension acts were passed just before the copyright on “Steamboat Willie” (the first appearance of Mickey Mouse) was due to expire. The 1998 Copyright Extension Act, at least, was bought and paid for by Disney’s fat political contributions. So maybe “Lady and the Tramp” isn’t the best example to use here.
edit: a couple quick references:
So in 1955, when Disney released “Lady and the Tramp”, they knew that they were going to pass a copyright extension in 1998?
*Scoff* you don’t GET it. It has been in their plans the WHOLE TIME.
Step 1: Make and copyright movie.
Step 2: Extend copyright
Step 3: ???
Step 4: Profit!
Step 3 is “buy politicians”.
No, no. Step 2 is “buy politicians”. Step 3 is “Extend copyright”.
That’s the point, Jemmy. Disney is the best example to use because of their hypocrisy, and even Disney themselves had to figure Lady and the Tramp would be in the public domain by now based on IP law at the time.
That’s the whole point.
They did expect it to be in the public domain today. When the film Aristocats was made they had to pay money to Peggy Lee for the songs as it was never envisioned that vhs and then dvd would allow an extra profit stream. Disney’s model was releasing the movies to theaters every seven years to catch a new crop of kids. They knew at some point their copyright would expire and only the extreme pliability of bought and paid for politicians has allowed copyright to be extended forever. I don’t think they knew how easy it would get to own the government.
The question isn’t whether Disney planned their buying of Congress to maintain the cash flow from such old works. The Constitution is clear: the purpose of copyrights is to “encourage” authors to write; the period of exclusive use is required to be “limited”. So the correct question is whether the Disney Corp and other movie makers would stop making movies if they couldn’t keep cashing in more than 50 years later. Obviously not, so the recent extensions of copyright go way beyond the length of time that serves the legitimate purpose of copyright law.
You know, I think God-man is a bit of a jerk.
“That’s why the lady is a tramp.”
and by “lady,” I mean Disney.