Michael Geist sez, "I've posted a video version of a recent talk on SOPA activism and what it means for the next generation of global copyright agreements such as the Anti-Counterfeiting Trade Agreement and the Trans Pacific Partnership. The talk is about an hour as it also assesses the global strategies employed by the U.S. and copyright lobby groups of shifting away from WIPO toward closed negotiations (like ACTA) and domestic copyright pressure (like the Canada's Bill C-11, which is a combination of DMCA + potentially SOPA)."
UPDATE: My pal Stacey Ransom found the original color photo of this fine resin/fiber piece, titled "Visual Temperature - Sofa," by Cao Hul, and posted it to her Tumblr, Held 4 Ransom.
I heard my 14-year-old daughter and her friends talking to each other using a word-changing language game, like pig latin, but much harder for me to understand. I asked my daughter's friend to say something and I recorded it.
She said it was called Finglish but a Google search makes me think she is either mistaken or tricking me. Can you tell me what it's called and what the rules are? I think it involves adding a lot of F's in between syllables.
I was teaching a big introductory course on cognition, which, I felt, had to encompass everything that's known about how the mind works. Teaching, when taken seriously, does wonders to one's capacity for critical thinking; I realized that although the existing psychology textbooks were up to the moment on facts, they were decades behind on understanding. I ended up writing a text of my own, which I subtitled "How the Mind Really Works."
For a while, the possibility of understanding things for myself with sufficient clarity to enable me to share my understanding with others made me vaguely happy. Then I perceived that the mandate that I claimed for myself came with a rider. If I truly grasped how the mind works, I should be able also to transcend all the usual vague intuitions about when, why, and how a person feels happy and replace them with sound scientific insight.
To my dismay, I realized that I would have no peace until the possibility of happiness being amenable to a scientific--perhaps even algorithmic--treatment was given, if not a decisive resolution, then at least a fair hearing. This book is my attempt at cajoling my conscience into letting me off that particular hook.
A Journey Is Mapped Out
To forestall the crushing skepticism that people tend to develop soon after hearing about someone embarking on this kind of project, let me explain why I think it is both timely and feasible. In the past several decades, tremendous progress has been made in understanding the mind/brain. It turns out that the principles that determine how the brain gives rise to the mind are very general, are statable in a pretty concise form, and have everything to do with computation. Given that the brain is the organ with which people experience happiness, understanding the brain offers for the first time a real chance for understanding how and why happiness happens, and perhaps for developing some recipes--algorithms!--for pursuing it more effectively.
Sonar readings show that the mysterious object is about 60 meters across, or, about the size of a jumbo jet. And it's not alone. Nearby on the sea floor is another, smaller object with a similar shape. Even more fascinating, both objects have "drag marks" behind them on the sea floor, stretching back more than 400 feet.
"It's definitely something, at least," says Andreas Olsson, head of archaeology, Swedish Maritime Museums.
Collector of anomalies, esoterica, and curiosities.
In 1969, Fluxus artist/musician Takehisa Kosugi formed the Taj Mahal Travelers, an octet of Japanese musicians whose used traditional instruments like violin, double bass, tuba, trumpet, and mandolin in non-traditional ways and run through early electronic effects systems. Their compelling drone improvisations were decidedly different and, to my ears, more unsettling than the other avant-garde drone sounds of the era coming from the New York City axis of Tony Conrad, John Cale, and La Monte Young. In the book Japrocksampler, Julian Cope describes the Taj Mahal Travelers' music as "reminiscent of the creaking rigging of the un-manned Mary Celeste." The excellent Taj Mahal Travelers live albums titled "August 1974" and "July 15, 1972" have just been reissued on vinyl. I picked mine up from Experimedia in the US. Here are samples from the albums:
When Elinor Zuke went to the checkout stand of a store in the UK to buy a pack of teaspoons, a shop worker told her she wouldn't be allowed to buy then until she presented photo identification. The reason: "because of the risk they could be used for drugs -- heroin users 'cook up' the drug in teaspoons."
Woman, 25, asked for ID to buy teaspoons as they could be used as drug paraphernalia
Upcoming Appearances • April 2 at Skeptics in the Pub, Boston, Mass.— 7:00 pm at Tommy Doyle's in Harvard Square. Please RSVP. •April 4 at MIT: "Shedding Light, Online", a discussion about how blogging and a dynamic audience helped shape my book, Before the Lights Go Out—4:00 pm in Maseeh Hall. Please RSVP. • April 6 at Carnegie Mellon University: More details to come
• April 9-13 at University of Colorado, Boulder: 64th Annual Conference on World Affairs • April 10 at Colorado State University, Fort Collins: "Putting the Fun Back in Infrastructure"—3:30 pm in the Rocky Mountain Innosphere. • April 19 at The Bakken Museum in Minneapolis: Book Launch Party! Come enjoy snacks, a presentation by me, and some fun with the Bakken's Leyden jar.
• April 21 at Science Museum of Minnesota, St. Paul: Earth Day Tweetup event with Will Steger and Sean Otto—events run 10:00 am to 2:00 pm.
• May 2 at University of California, Berkeley: "Putting the Fun Back in Infrastructure"—6:00 pm, location TBA.
• May 3 at the American Institute of Architects, San Francisco Chapter—Lunchtime lecture, time and location TBA.
• May 3 at Barnes and Noble, El Cerrito, Cali.—7:00 pm.
• May 30 in New York City—Panel on local and DIY energy with the New America Foundation
• June 22-25 in Aspen, Colorado: Aspen Environment Forum • July 5-8 at CONvergence in Minneapolis, Minn.—exact times and dates TBA
"My Favorite Museum Exhibit" is a series of posts aimed at giving BoingBoing readers a chance to show off their favorite exhibits and specimens, preferably from museums that might go overlooked in the tourism pantheon. I'll be featuring posts in this series all week. Want to see them all? Check out the archive post. I'll update the full list there every morning.
Sorry. I've got a bit of THE TRIUMPH OF MAN stuck in my head. Actually, this skull belonged to a foal, says Justin Cahill, who sent in the photos. It's part of a long, natural history museum tradition of exhibiting the weird and often grotesque, preserving them as examples of how the natural way isn't always ideal. The same forces that shape evolution can also seriously screw you up. So much of what we call "normal" is based on chance.
Nobody ever actually saw this foal alive, by the way. The skull was found in the Hawkesbury River in 1841. But there have been attempts to reconstruct what the horse might have looked like during it's brief time alive. You can see that photo after the cut:
Inspired by the bountiful Vanitas still-life paintings of 16th-century Northern Europe and the excessive ornamentation of the Baroque period, Dirk Staschke seduces the viewer with his voluptuous organic forms while exploring themes of excess and its effects.
A master ceramicist whose work has been shown internationally, Staschke is best know for his banquet style displays of flora, fauna and food. In Falling Feels a Lot Like Flying, an exhibition specifically created for Bellevue Arts Museum, the artist takes his work to a new scale. Comprised of more than ten large pieces, the exhibition captures the beauty and opulence of a moment in time -- creamy and syrupy stacks of sweets -- yet, decay and collapse is looming right around the corner.
1. 90% of all community feedback is crap.
2. Don't get sweet talked into building a truck.
3. Be honest about what you won't do.
4. Listen to your community, but don't let them tell you what to do.
5. Be there for your community.
Collector of anomalies, esoterica, and curiosities.
Punk artist Mike Kelley, a force in contemporary art for more than three decades, has died. He was 57. From the Los Angeles Times:
Writing in Slate in 2005, novelist Jim Lewis said: "I think I could walk into any collection in the world and spot the Mike Kelley piece immediately (and this despite his many imitators)... You can tell the Kelley work because it's the stuff that itches, the stuff that reeks, the stuff that looks like it needs a good bath."
Or, as Times art critic Christopher Knight wrote in 1994, "Kelley is an avatar of the power and humanity inherent in recognizing the radical impurity of human experience. His art searches out dark and soiled places where defects, fault lines and inadequacies are obvious and routine, and where failure takes on the poignant, fragile, even heartbreaking beauty that accompanies any loss of self."
Upcoming Appearances • April 2 at Skeptics in the Pub, Boston, Mass.— 7:00 pm at Tommy Doyle's in Harvard Square. Please RSVP. •April 4 at MIT: "Shedding Light, Online", a discussion about how blogging and a dynamic audience helped shape my book, Before the Lights Go Out—4:00 pm in Maseeh Hall. Please RSVP. • April 6 at Carnegie Mellon University: More details to come
• April 9-13 at University of Colorado, Boulder: 64th Annual Conference on World Affairs • April 10 at Colorado State University, Fort Collins: "Putting the Fun Back in Infrastructure"—3:30 pm in the Rocky Mountain Innosphere. • April 19 at The Bakken Museum in Minneapolis: Book Launch Party! Come enjoy snacks, a presentation by me, and some fun with the Bakken's Leyden jar.
• April 21 at Science Museum of Minnesota, St. Paul: Earth Day Tweetup event with Will Steger and Sean Otto—events run 10:00 am to 2:00 pm.
• May 2 at University of California, Berkeley: "Putting the Fun Back in Infrastructure"—6:00 pm, location TBA.
• May 3 at the American Institute of Architects, San Francisco Chapter—Lunchtime lecture, time and location TBA.
• May 3 at Barnes and Noble, El Cerrito, Cali.—7:00 pm.
• May 30 in New York City—Panel on local and DIY energy with the New America Foundation
• June 22-25 in Aspen, Colorado: Aspen Environment Forum • July 5-8 at CONvergence in Minneapolis, Minn.—exact times and dates TBA
"My Favorite Museum Exhibit" is a series of posts aimed at giving BoingBoing readers a chance to show off their favorite exhibits and specimens, preferably from museums that might go overlooked in the tourism pantheon. I'll be featuring posts in this series all week. Want to see them all? Check out the archive post. I'll update the full list there every morning.
Not every museum exhibit will survive untouched from your childhood to your grandchildrens'. Over time, historic and scientific accuracy, changing mores and aesthetics, and improvements in design will force some exhibits off the main stage and into the dusty storage room of memory.
But you can still love them from afar.
On this, the last day of "My Favorite Museum Exhibit" week, I'd like to include one man's tribute to a long-dismantled museum exhibit. Tom Luthman writes:
When I was a kid in the 1970s, I'd go to the Center of Science and Industry in Columbus, Ohio (COSI). COSI opened in 1964, in the old Franklin County Memorial Hall, built in 1906. It closed in 1999, or rather, it moved to a new location, and most of the old exhibits didn't make the move.
One of the exhibits was THE TRIUMPH OF MAN, a leftover exhibit from the 1964 World's Fair in New York City, built by the Travelers Insurance Companies. You'd walk down a darkened corridor, and off in alcoves were 14 paper-mache scenes depicting the history of humanity. All accompanied by a recorded narration from the World's Fair. It was also sold in the gift shop as a 33-1/3 record, which we had.
Now, Luthman has put that recording to good use, incorporating it into a Flash-based recreation of THE TRIUMPH OF MAN* that will live online, long after the physical exhibit has decomposed in a landfill somewhere.
This is a really neat project and worth checking out, even if you don't have the emotional connection to THE TRIUMPH OF MAN that Luthman does. Just make sure you're someplace where you can crank up the sound and enjoy that sweet, sweet mid-20th-century triumphalism in stereo.
Upcoming Appearances • April 2 at Skeptics in the Pub, Boston, Mass.— 7:00 pm at Tommy Doyle's in Harvard Square. Please RSVP. •April 4 at MIT: "Shedding Light, Online", a discussion about how blogging and a dynamic audience helped shape my book, Before the Lights Go Out—4:00 pm in Maseeh Hall. Please RSVP. • April 6 at Carnegie Mellon University: More details to come
• April 9-13 at University of Colorado, Boulder: 64th Annual Conference on World Affairs • April 10 at Colorado State University, Fort Collins: "Putting the Fun Back in Infrastructure"—3:30 pm in the Rocky Mountain Innosphere. • April 19 at The Bakken Museum in Minneapolis: Book Launch Party! Come enjoy snacks, a presentation by me, and some fun with the Bakken's Leyden jar.
• April 21 at Science Museum of Minnesota, St. Paul: Earth Day Tweetup event with Will Steger and Sean Otto—events run 10:00 am to 2:00 pm.
• May 2 at University of California, Berkeley: "Putting the Fun Back in Infrastructure"—6:00 pm, location TBA.
• May 3 at the American Institute of Architects, San Francisco Chapter—Lunchtime lecture, time and location TBA.
• May 3 at Barnes and Noble, El Cerrito, Cali.—7:00 pm.
• May 30 in New York City—Panel on local and DIY energy with the New America Foundation
• June 22-25 in Aspen, Colorado: Aspen Environment Forum • July 5-8 at CONvergence in Minneapolis, Minn.—exact times and dates TBA
"My Favorite Museum Exhibit" is a series of posts aimed at giving BoingBoing readers a chance to show off their favorite exhibits and specimens, preferably from museums that might go overlooked in the tourism pantheon. I'll be featuring posts in this series all week. Want to see them all? Check out the archive post. I'll update the full list there every morning.
You've seen a lot of good taxidermy this week, but nothing quite like this. Renee Mertz sent me this photo of a diorama at Vienna's Naturhistorisches Museum, which depicts a group of butterflies greedily feeding off the carcass of a dead piranha.
This is not a spot of whimsy, people. This kind of thing really does happen. In fact, you can watch a real-life example (with a less-threatening fish substituted in for the piranha) in a video taken in Alabama's Bankhead National Forest.
The good news: The butterflies are not really carnivorous, per se. The bad news: What they're actually doing is still pretty damn creepy.
It's called "puddling" or "mud-puddling". The basic idea works like this: Butterflies get most of their diet in the form of nectar. They're pollinators. But nectar doesn't have all the nutrients and minerals butterflies need to survive, so they have to dip their probosces into some other food sources, as well. Depending on the species of butterfly, those other sources can include: Mineral-rich water in a shallow mud puddle, animal poop, and (yes) carrion.
When butterflies puddle over a dead fish, though, they aren't biting off chunks. Instead, they're essentially licking the dead fish—going after salt and minerals that seep out of the dead animal as it decomposes. Bonus: Some butterflies also like to lick the sweat off of humans. And a few species of moth have been documented sucking blood and tears for living animals, including humans.
When Elinor Zuke went to the checkout stand of a store in the UK to buy a pack of teaspoons, a shop worker told her she wouldn't be allowed to buy then until she presented photo identification. The reason: "because of the risk they could be used for drugs -- heroin users 'cook up' the drug in teaspoons."
, my book about the future of energy in the United States, will be published April 10th.
