Here's some handy, infringealicious clip art for the discriminating Anon who wants to make a statement without paying a royalty: a Guy Fawkes mask, suitable for urban art, dress-up, and silkscreening.
One of the quieter scenes from a story in Western Gunfight magazine, illustrated by George Wilson. The high bid on this piece of original art stands at $1!
Mr Norton also added: "It was a pleasure collaborating with PRADA and LG, both Global brands with impeccable reputations for being the most innovative and respected in their fields."How nice of Mr Norton to write that sentence for the press release! Read the rest
Johannes sez, "Cory was so kind to post my TEDxVienna talk on monochrom's feature film project SIERRA ZULU. I wanted to give you guys an update. Today we released a short film: EARTHMOVING. It's the prequel to SIERRA ZULU. We thought that's a good way to expand on the backstory and give the folks something to see while we are still working on getting the feature film financed and (hopefully) done. We have a bunch of great actors (e.g. Jeff Ricketts, who was part of Firefly or Star Trek: Enterprise) and our crew at Golden Girls Filmproduktion (Vienna) was absolutely wonderful."
I've always enjoying studying the original art for comic book pages, because it's fun to look at the washes, white-out marks, pen lines, blue pencil lines, erased pencil, and brush lines. You can learn a lot from them.
IDW's Artist's Editions (I've not seen a copy in person) print scans of original comic art pages, and judging from this video, they seem to go a long way in getting the look of original comic art pages. Here's the video for John Romita's Amazing Spider-Man Artist's Edition (above).
IDW proudly presents John Romita's The Amazing Spider-Man: Artist's Edition, collecting six complete stories by the great John Romita, arguably the definitive Spider-Man artist. Each page is scanned from the original art, same size as drawn, and in full color (in insure the best possible reproduction). This Artist's Edition measures 12 x 17 inches and each book is shipped in a custom cardboard box for maximum protection. While appearing to be in black and white, each page was scanned in color to mimic as closely as possible the experience of viewing the actual original art—for instance, corrections, blue pencils, paste-overs, all the little nuances that make original art unique. Each page is printed the same size as drawn, and the paper selected is as close as possible to the original art board.I just found out that there are Wally Wood, Dave Stevens, Walter Simonson Artist's Editions. They are sold out, of course. You can buy copies on Amazon for hundreds of dollars. Read the rest
Dan R sez, "This corporate news piece from the opening of 'Spaceship Earth' has plenty to offer the casual to semi-rabid technology fan who is also partial to World's Fair-esque exhibits about the FUTURE! Great footage of 'Spaceship Earth's' exhibits abound, and the film also features other highlights of EPCOT, including Exxon's 'Universe of Energy,' replete with animatronic dinosaurs."
I got trapped on Spaceship Earth during opening month (it had been going down sporadically all day, resulting in heroic queues), just as we reached the top. After a long wait at the apex, we all got to walk down the stairs to get out. It was my first look backstage at a ride. It was seminal.
[Video Link] "Camden council in north London have recently installed this talking camera that issues threats to residents at Walker House." Read the rest
This restored 1957 home movie of a Disneyland visit, from the Disney History Institute, is an absolute treat. I love the rare footage of the Frontierland pack-mules and the Jungle Cruise as it was before the jungle really grew in; I'm likewise captivated by the sight of the (by modern standards) harshly metallic and dangerous-looking conveyances for small children. From The Disney Blog:
The Disney History Institute scores big again with a vintage color film from 1957 Disneyland. DHI uses the same transfer process that Ken Burns does to get his amazing footage and the result is something with the truest and brightest colors I’ve ever seen from Disneyland’s early days.
MikeyP sez, "Filmmaker friends of mine have a lovely melancholy stop-motion film (about a tiny entymologist with a lightbulb for a head) they're hoping to get into the Australian short film festival Tropfest via the audience vote.If you have a second, and feel so inclined, pray click the link, scroll to the right to find 'Re-Collection',* and if you like the film, please vote for it. Even if you choose not to vote for my friends, Tropfest is worth checking out if you like short films. I think all of the finalists' films are viewable from the Tropfest YouTube channel. It's a good festival. * Or you can use the search box. Yes, Tropfest's system is a bit convoluted, and yes, it probably favours the first films in the list. But that's how it is."
Here is OK Go's excellent video for "Needing/Getting." And yes, it was done "in partnership" with the maker of that particular car. According to the video description, the car "was outfitted with retractable pneumatic arms designed to play the instruments, and the band recorded this version of Needing/Getting, singing as they played the instrument array with the car… There are no ringers or stand-ins; Damian took stunt driving lessons. Each piano had the lowest octaves tuned to the same note so that they'd play the right note no matter where they were struck." Read the rest
My friend and oft-times workshop mate Tom Marcinko, a very talented writer and critiquer, has just put seven of his previously published sf stories into the Kindle store for what he calls "the amazingly low price of absolutely nothing." He's getting back to work on new fiction after a long hiatus, and this is his way of marking the occasion. How can you resist a free sf collection with a story in it called "The Nixon Wrangler's Tale"?
An ardent missionary beams to another galaxy--but finds his convictions and personality altered in transmission.
A bounty hunter pursues a replicant from out of history. This is not called termination. It is called “impeachment.”
Aliens invade a globally depressed Earth with a sinister weapon: A new line of curiously addictive consumer products.
Superheroes must control their powers. Or a shadowy government agency will do it for them.
Plus the Second Coming, with a special guest appearance by the Patron Saint of Television.
Welcome to seven adventures in space, time, and from under the floorboards.
These stories were previously published in Realms of Fantasy, Interzone, Rosebud, Science Fiction Age, and other respected venues.
Tom is the person who introduced me to Mystery Science Theater 3000, and is a very happy mutant indeed.
This is the first post from the fine folks of the American Library Association, which recently launched a member interest group called Library Boing Boing. They will be posting now and again as LibraryLab.
On April 23, 2012, tens of thousands of people in the U.S., U.K., Ireland, and Germany will go out into their communities to spread the joy and love of reading by giving away free books. All you have to do to participate is register by midnight EST tonight.
The goal is to have 50,000 people give a book to a stranger or to people you might know but believe aren’t frequent readers. Go to a coffee shop, a hospital, a park, a church, a community center, an after-work party, a local school, or even just give them away on your daily train ride. WBN will give you 20 specially-produced, not-for-resale World Book Night editions to randomly give away. There are 30 titles to choose from for all types of readers. Basically, if you love any of the books included in the program, you can get free copies to share with others. Read the rest
Timo's video "Robot readable world" is made up of stitched-together found footage from computer vision systems, "exploring the aesthetics of the robot eye." It was inspired by Matt Jones's essay The Robot-Readable World, and it reminds me Laura Mulvey's idea of the Male Gaze.