Carlos Miller, an accredited photojournalist covering the Occupy Miami eviction, was arrested by Miami-Dade police, who deleted several videos from his camera before they returned it to him. Miller recovered some of the deleted files and has posted them to YouTube. They support his version of the events of that night, in which he was subject to arbitrary arrest. The deletion of a journalist's arrest-video seems a move calculated to obscure guilt on the part of the police.
So now the next step is taking my camera to a professional recovery service with a forensics specialists who will not only retrieve the entire deleted footage without interruptions, but would also determine the exact time the footage was deleted
That will determined that the footage was deleted while I was in custody and the camera was in their possession, leaving them no defense for blatantly violating my Constitutional rights.
I also plan on obtaining the footage recorded by the Miami police officer as well as the footage recorded by the television news cameraman.
And, of course, I plan on filing an internal affairs complaint against Perez as well as a complaint with the U.S. Department of Justice for deleting my footage.
Here Is The Recovered Video Police Deleted Of My Arrest
(via Ars Technica)
After years of missteps, blunders and disasters in which Youtube users have been censored through spurious copyright claims or had their accounts deleted altogether, Google has announced an amazing, user-friendly new initiative though which it will fund the legal defense of Youtube creators who are censored by bad-faith copyright infringement claims.
Gus writes, “November 2-6 was Media Literacy Week, that great traditional festival of questioning everything we read and talking back to the TV. OK, so it’s only ten years old… and this is the first year it’s been formally observed in the United States, which has long lagged behind other English-speaking countries in media literacy […]
The Wizard of Northampton in dialog with John Higgs, author of Stranger Than We Can Imagine: Making Sense of the Twentieth Century, describing HP Lovecraft’s curious, twisted grasp of the awful anxieties of 20th century America, and how this created the racist, horror-flecked prose that resonates even today. (via m1k3y)
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