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Gleick's masterpiece The Information comes out in paperback today

Cory Doctorow at 5:52 am Tue, Mar 6, 2012

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James Gleick's The Information: A History, a Theory, a Flood was my favorite nonfiction book of 2011, a tour-de-force history and introduction for information theory. It's out in paperback today. Here's some of my review of the hardcover:

I've been fascinated with information theory since a friend of a friend explained "Shannon limits" to me in the late 1990s. I remember the conversation, mostly because the description was tantalizingly frustrating and incomplete, this being a hallmark of really interesting ideas. This friend of a friend explained that there were theoretical limits to how much information any channel could carry, and that these limits included rigorous definitions for "channel" and "information." I've read up on Claude Shannon rather a lot since (I've got a short story called Shannon's Law in an upcoming Borderlands book, about a hacker named Shannon Klod who tries to violate the barrier between faerie and the human realm by routing a single packet using TCP-over-magic) and every time I do, it's a revelation, because some new facet of information theory reveals itself to me.

But nothing has presented these ideas half so well as The Information, and that's a tribute to Gleick's storytelling mastery, his ability to pick out the threads of history that trace back and forward from the discipline's central thesis. Gleick begins with early lexicographers, the primitive dictionaries, the phrasebooks that translated between the talking drum and western speech. He moves onto Babbage and Lovelace (and presents an account of their invention, rivalries, victories and failings that is as heartbreaking as it is informative), and then into telegraphy.

Telegraphy leads to codes, and codes to compression, and compression to logic, and logic to the first inklings of theories, and now you've got Einstein and Godel and Shannon and Turing meeting, debating, fighting and rubbishing each other in learned journals, arguing furiously with Margaret Mead at interdisciplinary conferences -- a pellmell debate in full swing. On Gleick marches, to the double helix and Dawkins and memes, to a section on randomness that is so transcendently exciting that I couldn't put the book down and read it while walking, so distracted I got lost twice within blocks of my office.

Gleick takes us through Wikipedia and the meaning of information, the debates about it, the helpelessness of information overload, the collisions in namespaces -- even through his beloved chaos math -- until he has spun out his skeins so that they wrap around the world and the universe, information theory at the heart of legal debates over trademark, physics feuds over Hawking radiation, epistemology and cryptography, even fights over Pokemon characters and their disambiguation.

The Information: A History, a Theory, a Flood

I write books. My latest is a YA science fiction novel called Homeland (it's the sequel to Little Brother). More books: Rapture of the Nerds (a novel, with Charlie Stross); With a Little Help (short stories); and The Great Big Beautiful Tomorrow (novella and nonfic). I speak all over the place and I tweet and tumble, too.

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  • kimyambam

    paperback has been out for months. At least here in Belgium it has.
    Great book, not as monumentally important as Chaos i think, but great.

  • Jonathan Badger

    Just don’t get your linguistics from this book. In the chapter on writing systems, Gleick repeats the common, but historically discredited, idea that writing went from pictographic to ideographic to logographic — in other words, from writing that looked like what it meant, to abstract symbols for ideas, to finally alphabetic writing. 

    Yes, at a casual glance, that’s what Egyptian hieroglyphs, Chinese characters, and Western writing looks like. But it’s much more complicated than that. Egyptian hieroglyphs sometimes meant what they looked like and sometimes they were used basically as letters to express the pronunciation. And Chinese characters don’t represent “ideas” and so are not really ideographic — some characters make no sense on their own. And while there is a more or less “standard” Chinese writing style, it is quite possible to differentiate dialects like Cantonese and Shanghainese from Mandarin using characters — they aren’t abstract concepts separated from the spoken language.

  • ROSSINDETROIT

    I just ordered a copy from Amazon.  Can’t wait to dig in.  Books like this are fascinating because they’re relevant to so many different subjects.  Reading Tom Standage’s The Victorian Internet made me want to learn more about the growth of high speed communication.  This is just what I need.

  • Daniel Cosby

    I couldn’t wait for the paperback, but I do want to get the US cover which is infinitely nicer.

    • http://twitter.com/ManekiNico Maneki Nico

      Not fond of the Canadian paperback edition either, but YMMV.

  • ecologist

    This book is so good that I read it straight through, then turned around and read it straight through again. The writing on randomness is indeed transcendent, but my favorite was the chapter on (among many other things) Wikipedia. Starts with a quote from Borges and just gets better …  Now I want to read it again.

  • awjt

    It was good.  A bit dry in parts, but the history of natural language computing, was fascinating, especially the part about Markov. Segues nicely into “Natural Language Processing with Python” and one of my favorite books, “Speech and Language Processing” by Jurafsky & Martin.

  • ritholtz

    Plowed thru it over vacation on the beach 2 weeks ago — I found it fascinating. I would definitely recommend it highly

  • http://lectiblog.blogspot.com/ lecti

    I thought “The Information” was great, so went on and read “Chaos” – but I found Information to be more entertaining than Chaos.  A great read, the only problem with Information is that it starts to sag around the last few chapters.

    • awjt

      Yeah, unfortunately true, IMO.