Jean Giraud, the comics artist who worked under the name Moebius, has died at the age of 73. Moebius defined the style of Metal Hurlant/Heavy Metal, a surreal, madcap, sometimes grotesque science fictional visual style that is often imitated but which Moebius himself produced to high spec and in such great amounts. On Tor.com, art director Irene Gallo remembers him: "He was a particular favorite among his fellow artists. Many creatives and readers will mourn his passing." Neil Gaiman also has words on his passing:
I couldn’t actually figure out what the Moebius stories were about, but I figured that was because my French wasn’t up to it. (I could get the gist of the Richard Corben Den story, and loved that too, and not just because of the nakedness, but the Moebius stories were obviously so much deeper.)
I read the magazine over and over and envied the French because they had everything I dreamed of in comics - beautifully drawn, visionary and literate comics, for adults. I just wished my French was better, so I could understand the stories (which I knew would be amazing).
I wanted to make comics like that when I grew up.
I finally read the Moebius stories in that Metal Hurlant when I was in my 20s, in translation, and discovered that they weren’t actually brilliant stories. More like stream-of-consciousness art meets Ionesco absurdism. The literary depth and brilliance of the stories had all been in my head. Didn’t matter. The damage had long since been done.
I recently reviewed The Incal, Moebius and Jodorowsky's bizarre, classic, lately reprinted science fiction comic.
wxs.ca/iso/ presents a simple “isometric” field of cubes, Q*Bert-style. Click and drag across it and the cubes will rise and fall in series of waves. They also start to flash wild colors… or do they? Yes, they do!
Shigeki Matsuyama created Narcissism: Dazzle room, a trippy and disorienting painted pattern based on camouflage patterns used in World War I.
High-end printers began decorating the edges of books as the craft developed, including dyeing and gilding the edges, but in the 17th century, artisans began creating fore-edge paintings that could only be seen when books were fanned. Below is another example:
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