Colin Dickey introduces the current Lapham’s Quarterly collection of rude and complaining messages left by monks in the margins of medieval manuscripts, a subject covered in detail in Image on the Edge: The Margins of Medieval Art, Michael Camille's 2004 book.
Depictions of sexual consort are frequent, among men and women, among various species of animals, and enough other combinations to make even contemporary readers blush. Camille cautions against reading such images as violations of the sacred text; because the medieval world was so rigidly hierarchized and structured, “resisting, ridiculing, overturning and inventing was not only possible, it was limitless.” That these psalters and books of hours often contained sacrilegious sentiments right alongside their holy piety, it seems, was perhaps the point: “We should not see medieval culture exclusively in terms of binary oppositions—sacred/profane, for example, or spiritual/worldly,” Camille explains. “Travesty, profanation, and sacrilege are essential to the continuity of the sacred in society.”
Living in the Margins
Jim Jones writes, “I have been playing The Warren, Marshall Miller’s role playing game about being rabbits, with my three kids for a little over a month. We play in an area based on our suburban neighborhood. My second grade daughter chose to do a diorama of a suburb for school so she could talk […]
I’ve got a busy couple of weeks coming up! I’m speaking tomorrow at Powell’s in Portland, OR for Banned Books Week; on Wednesday, I’m at UC Riverside speaking to a Philosophy and Science Fiction class; on Friday I’ll be at the University of Southern California in Los Angeles, speaking on Canada’s dark decade of policy […]
I did an interview with the Changelog podcast (MP3) about my upcoming talk at the O’Reilly Open Source conference in London, explaining how it is that the free and open web became so closed and unfree, but free and open software stayed so very free, and came to dominate the software landscape.
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