Netherlands artist Suzanne Jongmans has created a series of portraits in the style of the Dutch Masters, creating the costumes out of soft packing foam sheets. She needs to team up with the artist who creates 15th century Flemish self-portraits using airplane toilet tissue and seat-covers. Together, they will rule the atemporal world.
Referring to both vulnerability and impermanence, I am investigating the texture and feel of both the present and past. Since 2007 I have been working on the series 'foam sculptures': caps and collars, inspired by 16th and 17th century paintings, made from materials currently used for packaging and insulation. This is also an inferior material which is often discarded after use.
By using this material I make a reference to consumerism and the rapid circulation of materials. With these foam sculptures, but also an i-pod, a tattoo and a foot in plaster, we end up in the 21st century.
The portraits are a certain reference to Holbein, Clouet, Vermeer and Holland's Golden Age.
It is no coincidence. In fact, in the 16th and 17th century, laid the foundations for photography.
Call it the prehistory of photography. It appears that the artists have used photographic images, they could not yet capture. In fact, there was the phenomenon of photography so much earlier. This is an atavism of the Golden Age and the early days of the invention of photography.
I use the elements in the present as in the past, the objects in my work are used as symbols
of values. I mutate old costumes into new plastics and old masters in new photographic works.
By using time foreign materials, plastics and techno's, I am creating a time crux, a tension of time.
Berlin’s Raubdruckerin (“Pirate Printer”) roam the world’s great cities — places like Paris, Amsterdam and Lisbon — and apply ink-rollers directly to the prettiest manhole and utility covers they can find, then print tees, hoodies, posters and bags to sell with them.
Telecomunicaciones Indígenas Comunitarias A.C. — a nonprofit telcoms company operated by and for indigenous groups in Chiapas, Guerrero, Oaxaca, Puebla, and Veracruz — has received a license to operate cellular services in at least 356 municipalities. It’s the first time the Mexican telcoms regulator has given a operations license to an indigenous social group.
5 Worlds is a young SFF project that’s been a hard secret to keep these past years! It’s a five book series, 250 pages each, full color. It has five worlds and there are five of us working together on it. The story involves an impossible quest to light these ancient beacons left behind by […]
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