Jonathan Fetter-Vorm's Trinity is a nonfiction book-length comic for adults about the birth of nuclear weapons. It covers the wartime events that spawned the idea of a nuclear weapons program, the intense period of wrangling that gave rise to the Manhattan Project, the strange scientific town in the New Mexico desert that created the A-bomb, the tactical and political decision-making process that led to the bombing of Hiroshima and Nagasaki, the unspeakable horror experienced by the people in those cities and the existential crises the Nuclear Age triggered for scientists, politicians, and the world at large. Though this is primarily a history book, Trinity is also a pretty good nuclear physics primer, making good use of the graphic novel form to literally illustrate the violence of atoms tearing themselves apart, and the weird, ingenious, improvised mechanisms for triggering and controlling that violence.
I think Trinity is a very good book. It manages to be short and straightforward without being crude or lacking nuance. Fetter-Vorm does a great job of bringing the personalities involved in the bomb's creation to life, and to show the way that human relationships -- as much as physics -- resulted in the bomb's invention and use. He walks a fine, non-partisan line on the need to bomb Hiroshima and Nagasaki, opting instead to lay out the facts in a (to my eye) fair and neutral way that neither argues that the bombing was a necessity, nor that it was a callous whim from a military apparatus that wanted to test out its latest gadget.
More than anything, though, Trinity is unflinching in counting the human cost of the bomb. The pages given over to the aftermath in the bombed cities are, if anything, understated. No gross-outs here. But they manage to convey so much horror that I had to stop reading so I could finish my lunch. Also wrenching, in its own way, is the section on the impact that the news from Japan had on the Trinity scientists and their families. Fetter-Vorm does a credible (and disturbing) job of putting you in the shoes of people who wanted to "end the war," but who found no respite in the war's end, as they struggled with the feeling of blood on their hands.
Trinity illuminates a turning-point in human history, and does so with admirable pace, grace, and skill.
(Excerpted from TRINITY: A Graphic History of the First Atomic Bomb, by Jonathan Fetter-Vorm, to be published by Hill and Wang, a division of Farrar, Straus and Giroux, LLC in June 2012. Text copyright © 2012 by Jonathan Fetter-Vorm and Michael Gallagher. Illustrations copyright © 2012 by Jonathan Fetter-Vorm. All rights reserved.)