It's one of the most iconic images of 1970s Hollywood. Roger Kastel was the painter who riffed on book illustrator Paul Bacon's original Doubleday Books cover (above left) for Peter Benchley's Jaws to create the famous oil painting that appeared on the paperback and 1975 movie post (above right). Over at Collector's Weekly, our pal Ben Marks tells the story of the artwork's creation and its subsequent disappearance. From Collector's Weekly:
"Real Hollywood Thriller: Who Stole Jaws?"
As Kastel remembers it, (Bantam publisher Oscar) Dystel was not a fan of the Doubleday cover and wanted Kastel to look at the cover with fresh eyes. “He wanted me read the book to pick out a new part to illustrate. But, of course, the best part was the beginning, where Chrissie goes into the water nude.” Turns out the Doubleday concept, if not the execution, was not so bad after all. Kastel did a sketch for Dystel and Leone to critique. “The only direction Oscar and Len gave me was to make the shark bigger, and very realistic.”
To research his new assignment, Kastel went to the Museum of Natural History, whose photo department was his frequent source for reference materials. “They didn’t have anything I could use,” he says, “so I asked if they had a shark exhibit. They said they did but that it was closed for cleaning. It was lunchtime, so I went upstairs anyway, and there were all these different stuffed sharks, just laying on boards. I had my camera with me so I took a few pictures. The shark in my painting developed from there. I just tried to paint a ferocious-looking shark that was still realistic.”
David Pescovitz is Boing Boing's co-editor/managing partner. He's also a research director at Institute for the Future. On Instagram, he's @pesco.