Hadopi was the jewel in the Sarkozy regime's crown of shitty copyright policy: a rule that said if you lived in the same house as someone who'd been accused of copyright infringement, you would lose your Internet access. Heavily lobbied for by the entertainment industry and hailed as a success thanks to dodgy, misleading studies, Hadopi is now on the outs. The agency that administers it has had its budget zeroed out. Next up: outright cancellation? EFF hopes so:
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Citing extraordinary costs and scant results, a high-level French official has announced intentions to defund Hadopi1, the government agency charged with shutting off Internet access of individuals accused of repeat copyright infringement. Under the French three strikes law, Internet subscribers whose connection is repeatedly used to share copyrighted material may be disconnected from the Internet and may even have to continue paying for the service (the so-called "double pain"). The three strikes law in France runs contrary to principles of due process, innovation, and free expression—yet has unfortunately served as a template for similar legislation in countries like New Zealand, the UK, and South Korea under pressure from the entertainment industry. Defunding Hadopi may mean that France won't be focusing on enforcing its three strikes law anymore, but that's not enough. France needs to repeal the three strikes law altogether.
When copyright holders (working through professional organizations) file complaints about alleged infringement, Hadopi is authorized to contact Internet access providers and issue warnings to subscribers. After the third warning of copyright infringement is issued to a subscriber, Hadopi can recommend to a public prosecutor that the individual have her Internet connection terminated.
Benjamin writes, "Five hours ago, John Hodgman released a picture to Instagram showing his three works (The Areas of My Expertise, More Information Than You Require, That Is All) in a collected boxset edition titled COMPLETE WORLD KNOWLEDGE."
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Don't expect to ever hear the Beastie Boys in any Budweiser commercial, or any other ad for that matter. From Adam Yauch's will, the relevant sentence, some of which he hand-wrote in: "Notwithstanding anything to the contrary, in no event may my image or name or any music or any artistic property created by me be used for advertising purposes." (via Rolling Stone) Read the rest
This cantilevered clear-bottomed swimming pool is on the 24th floor of the Holiday Inn Shanghai Pudong Kangqiao. (via CNN) Read the rest
The latest installment of Tim Harford's BBC/Open University podcast (RSS) More of Less has a fantastic and chilling look at the world of high-frequency automated stock trading, where warring algorithms execute millions of trades in an eyeblink. The story's jumping-off point is Knight Capital, whose faulty algorithm hemorrhaged $10,000,000 per minute, ultimately costing the company nearly half a billion dollars. But from there, Harford and co do a great series of examples trying to convey the sheer velocity of these markets. I've been following this stuff reasonably closely and had an abstract sense of it all, but this brought it home for me so firmly that it raised goosebumps.
Last week Knight Capital lost a lot of money very quickly. It was the latest chapter in the story of something called ‘high frequency trading’. Investors have always valued being the first with the news. But high frequency trading is different: algorithms execute automatic trades, conducted by computers, at astonishing speeds. We ask: is the rapid growth of high frequency trading progress, or – as some think – a threat to the stability of the entire financial system?
BBC - Podcasts - More or Less: Behind the Stats
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As regular readers of this blog will recall, I asked a question of the Mars Curiosity team about imaging technologies during the post-landing press conference at NASA JPL a few days ago.
Related: Digital Photography Review now has an interview with the Mars rover camera project manager. Above, the 34mm (115mm equiv.) Mastcam from the Curiosity rover. This was developed by Mike Ravine and his team at Malin Space Science Systems, a contractor for NASA. Ravine explains how they developed the 2MP main imaging cameras used to transmit those breathtaking images back from Mars.
The slow data rates available for broadcasting images back to Earth and the team's familiarity with that family of sensors played a part, says [Ravine], but the biggest factor was the specifications being fixed as far back as 2004. Multi-shot panoramas will see the cameras deliver high-res images, he explains, but not the 3D movies Hollywood director James Cameron had wanted.
'There's a popular belief that projects like this are going to be very advanced but there are things that mitigate against that. These designs were proposed in 2004, and you don't get to propose one specification and then go off and develop something else. 2MP with 8GB of flash [memory] didn't sound too bad in 2004. But it doesn't compare well to what you get in an iPhone today.'
(thanks, Michael Kammes) Read the rest
When Gore Vidal died last month, Xeni posted the classic TV highlight (lowlight?) of the writers' infamous heated exchange on ABD during the 1968 Democratic convention. Over at Las Vegas CityLife, BB contributor Mark Dery dives into that fiery media moment and what it revealed about both men. From Las Vegas CityLife:
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The Vidal-Buckley dust-up, dissected ever after by the two combatants and their partisans, is wonderfully instructive. Buckley is at his best, by which I mean his worst — mesmerizing for all the wrong reasons, as he is in his 1969 Firing Line debate with Noam Chomsky on American involvement in Vietnam. In that episode, Buckley is a one-man freakshow of WASP eccentricities, Ivy-League affectations and subliminal seductions, obscenely flicking that reptilian tongue, languorously attenuating the last word in a sentence, flashing a sly wink at Chomsky in mid-debate, flaring his eyes suggestively at the mention of Chomsky’s Syntactic Structures. (Who knew that a double entendre lurked in the title of that classic book on the admittedly steamy subject of generative grammar?) To the self-assurance of the manor-born and the entitlement of the prep-schooled, Buckley adds an invigorating jigger of weirdness, a snaggletoothed leer that hints at a redeeming depravity behind all that high-church, God and Man at Yale conservatism.
Suddenly, as in the near-knockdown with Vidal, we glimpse a less charming depravity. Prehensile tongue in cheek, Buckley commends Chomsky for his “self-control” in debating the Vietnam question, to which Chomsky jokingly replies, “sometimes I lose my temper; maybe not tonight.” Says Buckley, “Maybe not tonight, because if you would I’d smash you in the goddamn face.” A flash of that awful dentition assures us it’s all in good fun, a wry allusion to the Vidal Affair.
[video link]. Illustrations by Sarah Brown. Do stay with it. Things escalate. (HT: Tim Shey) Read the rest
The Cotton Exchange is a terrific vinyl record subscription service that delivers 8 LPs/year of rare, historic, or unreleased blues music right to your door. Recent releases have included Bukka White, Otha Turner, and Skip James! Exquisitely-curated by my dear pal and DIY musicologist David Katznelson with partner Barbara Bersche, who also collaborated on the Grammy-nominated "Alan Lomax In Haiti" box in 2010, every album includes detailed liner notes along with the 180-gram platter. For people like me who dig vinyl, the blues, or music history generally, The Cotton Exchange is a an immersive, educational, and inspirational experience disguised as a record club. It's $100 including shipping for 8 records, a totally fair price in my opinion. The latest release comes straight from the Mississippi Hill Country: "Feelin' Good" by Jessie Mae Hemphill (1923-2006).
Here's what David had to say about "Feelin' Good":
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We were fortunate enough to meet Jessie Mae on several occasions, at the yearly Turner Family picnic and at her house in the deep Hill Country. At that point, her stroke prevented her from playing anything but an accompanying tambourine, but she still had the smile that she was known for (just look at the cover of the record in front of you) and was never seen without her dog. She still commanded a presence and showed up at nearly every Hill Country event of note.
Jessie Mae came from regal blues stock (her grandfather, Sid Hemphill, had been recorded by Alan and John Lomax decades earlier) and featured a band of blues family royalty.
[video link]. From Friends With You, the short film "Cloudy", described as an art piece "with the purpose to transcend its viewers to a relaxed and joyous state."
This short is an exploration into the Clouds. The idea of clouds singing and performing their duties in a joyful manner show us that everything in our world has a role and a purpose.
A sweet visual soundscape that takes the viewer through a personal journey into the sky. Sing, dance and relax as you follow a sweet cast of clouds and raindrops through an entrancing adventure you'll wish to take over and over again.
(Thanks, Tim Shey)
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says: "This quite famous clip shows a high-ranking official of the Austrian equivalent of The Milk Marketing Board demonstrating how to use their newly-introduced wax/cardboard milk carton." It's probably from the 1980s. Read the rest
[video link]. The goat's name is "Happy," of course. (thanks, Clayton Cubitt) Read the rest
Patrick Ball sez, "Lots of people in the world depend on electronic security. That means it has to be seriously strong, and I have been worrying that lots of folks -- esp media folks -- are eager for easy-to-use shortcuts, even if those shortcuts aren't actually secure. CryptoCat is one such shortcut, as was Hushmail, and I believe neither are adequate for the hard case of protecting human rights information. There are solid security solutions, though we have a long way to go to improve user interfaces and overall user experience."
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Any host-based system that delivers the encryption engine to you each time you log in, and in which your keys reside on the server, you are never secure against the host (there’s new research on this called “host-proof hosting,” but it’s a long way from being ready to use in real applications). That means that if the host attacks you, or they fail to protect themselves, your encrypted data will be available to them. Remember that the host might attack you because someone evil has taken control of the host. If you are the hypothetical dissident in the Middle East, your government might contract a hacker to break into the CryptoCat server, Hushmail, or other host-based server, and thereby get access to all your data. Or they could bribe an employee at a host-based service. Again: in host-based security, all your security rests on your personal trust for the people at the host, and their ability to protect the server.
Joey sez, "Super Street Fire is a creation of a group at Toronto's Site3 coLaboratory hackerspace that lets two people fight 'Street Fighter II' style, with real punches and real fire. Players stand in a special ring with computer-controlled flamethrowers that simulate thrown fireballs; their punches are detected with motion-sensing gloves. They're going to Burning Man at the end of the month, and they're demonstrating their rig in Toronto
The flame effect heads are propane-fed devices that emit a column of fire, or fireball, high into the air. They also dynamically change the colour of the flame so it’s obvious who dealt the blow and who stood there and took it. Flame effects are expressed as two rails, each comprised of eight computer controlled flame effect heads—one rail for the right hand gestures and one for the left. As well as the two rails between the players, there is an outer ring of sixteen flame effects that are triggered by special player move combinations and also controlled by the Master of Games for crowd engagement. The game system is computer hardware and software with an Arduino microcontroller that interfaces with the flame effect head solenoids to regulate both the intensity and duration of the flame.
Site3 is one of Toronto's more amazing hackspaces, quite an achievement in a city that's blessed with an abundance of such facilities.
Super Street Fire: This Saturday in Toronto!
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At Cartoon Movement, "graphic journalist" Susie Cagle (Twitter) surveys the impact of recent DEA raids of medical marijuana centers, and legal attacks against Harborside and the like, in 'Down In Smoke'. The work includes sound clips, which is brilliant.
Oakland, California. Ground zero for a medical marijuana fight between states and the federal government that has only been heating up. Incorporating real audio from activists, Cagle portrays what "feels like class war" as local growers, patients and city officials fight against losing their jobs, medicine, and tax revenue.
The whole thing is here, and it's fantastic. Susie has done some of the best reporting I've seen of the Occupy movement and related protests in America—she's been jailed and injured for it. The fact that her reporting is focused through the medium of comics is just so innovative and cool. She takes true risks for her reporting, and what comes out of it is insightful, informative, and funny. I just love her work.
My Dinner with Marijuana: chemo, cannabis, and haute cuisine ...
A rant on marijuana dispensaries, and the quest for a living wage in ...
Pot legalization is on the ballot in three US states. What happens ...
Osama bin Smokin'? Marijuana found at Abbottabad compound ...
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