Over at Thought Catalog, the inimitable Mark Dery presents an epic appreciation for the late Gore Vidal.
His perennial subject was the Land of the Free and the Home of the Brave, and his commentaries on it constituted one long poison-pen elegy for American democracy, delivered with that patented blend of amused hauteur and oracular self-assurance. The small, what-fools-these-mortals-be smile he managed at the decline of Our Fair Republic (for him, it had been declining from the day it was founded) made mock of any dreams of social justice we might entertain.
Little surprise, then, that he wasn’t to everyone’s taste. In “Mr. Gore: Unpatriotic Vidal” (The Moronic Inferno and Other Visits to America), Martin Amis found his brick-thick novels hard going, took a dim view of his militant heterophobia (Vidal was bisexual), marveled at the virulence of his anti-Americanism, and raised a wry eyebrow at his pose, on the page, as “the only grown-up in America,” his tone “that of a super evolved stellar sage gazing down on the globe in pitying hilarity.” (Amis did concede, however, that Vidal was “probably” — I can just see the Cicero of the Small Screen pursing his lips at the weasel word — “the cleverest book-reviewer in the world.”)
"The Last Roman: What Gore Vidal Taught Us"
I asked Amy Parness, the co-founder of Sparkle Labs, maker of fantastic educational electronics kits, to write a Medium post about gender and the business of being a maker business person. Her terrific essay calls out the problems with “pink girly engineering kits.” From Medium:
Zero UI is the new term for “invisible interfaces”—what happens in the future when all the clicking and tapping and typing is history: “If you look at the history of computing, starting with the jacquard loom in 1801, humans have always had to interact with machines in a really abstract, complex way.” [Fast Company]
CEO Dick Costolo will resign, to be replaced in the interim by Jack Dorsey
The Lytro Illum dares to be different, boasting even more robust features than its first generation predecessor and a sleek design reminiscent of professional DSLRs. What’s so cool about it? Most cameras capture the position of light rays, producing a statoc 2D image.
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