[Video Link] The 30 Days Ramadan guys have put out a wonderful new short film in their series of profiles on Muslim life in America. This one was directed by Zeshawn Ali, and focuses on a father-son legacy of music, in Brooklyn. Snip:
Mohammad Boota walks the streets of NYC walking Muslims up with a dhol drum during Ramadan - a rich tradition he inherited from his family in Pakistan. He came to America in 1992 and spent 9 years saving enough money to bring the rest of his family over. Now, fully reunited with his family, he rekindles the bond he has with his son over their love for drumming.
I missed this great piece in the LA Weekly from a few weeks back about multi-millionaire yogi blowhard Bikram Choudhury. We've covered his antics before, but his copyrighty litigiousness just got interesting again.
Short version: Bikram is basically the Walter White of yoga. And I'm talking Breaking Bad Season 5 episode 6 Walter White. The "hot yoga" kingpin isn't in the yoga business or the money business, he's in the empire business, and he's suing his former apprentice and right-hand-dude Greg Gumucio for intellectual property infringement.
But now, the US Copyright office says it may have issued all protection related to yoga sequences in error, including the one Choudhury's suing over.
Random tech world connection: Choudhury was introduced to his now-nemesis by John McAfee, the software billionaire turned yoga teacher.
This is how Hurricane Isaac looked on Tuesday, as it made landfall on America's Gulf Coast. If you've never been to the Gulf of Mexico, here is a key fact you should know: The water there is warm. While Pacific coastal waters might be in the 50s during August, and the central Atlantic coast is pulling temperatures in the 60s and 70s, the water in the Gulf of Mexico is well into the 80s.
And that makes a difference. We know that water temperature affects hurricane strength. But we don't understand the particulars of how or why at a detail level. To learn more about this (and other factors that make each hurricane an individual), researchers at the University of Miami are building a simulation machine. When it's complete, it will be a key tool in improving forecasts.
Peter Sollogub, Associate Principal at Cambridge Seven, says the hurricane simulator is comprised of three major components:
The first is a 1400-horsepower fan originally suited for things like ventilating mine shafts. To create its 150mph winds, it will draw energy from the campus's emergency generator system, which is typically used during power outages caused by storms.
The second part is a wave generator which pushes salt water using 12 different paddles. Those paddles, timed to move at different paces and rates, can create waves at various sizes, angles and frequency, creating anything from a calm, organized swell to sloppy chaotic seas.
The third aspect of the tank is the tank itself, which is six meters in width by 20 meters in length by two meters high. It's made of three-inch thick clear acrylic so that the conditions inside can be observed from all sides.
BB Community moderator Antinous (the person who nukes your comments at Boing Boing when you act like a dick) plucked this gem from the jaws of YouTube and says,
I could watch this a hundred times and find something new to be horrified at every time. I love Rameau's music, but who thought that it was a good idea to have the singers doing the chicken dance in front of a giant turkey cloaca while clenching corncob pipes in their teeth?
You need to see it on a proper monitor to appreciate the full cavalcade of racialist nuances.
The opera-ballet shown, "The Noble Savages" is by French Baroque era composer Jean-Philippe Rameau. More about its history here, and you can buy the music on Amazon if you're so inclined. I can maybe give the dude a break, seeing as how it was all, like, 1725 when he wrote it and stuff, man. But there can be no forgiveness for any of the contemporary humans involved in this production.
I've written here before about seed art at the Minnesota State Fair. Every year, Minnesotans glue thousands of tiny seeds to heavy backing material to create some surprisingly elaborate examples of portraiture and political commentary. Oddly, given that this is folk art at a state fair in the Midwest, most of that political commentary is solidly liberal.
I wasn't able to make it to the Minnesota State Fair this year, but Minnesota Public Radio's Nikki Tundel was there. At least four different entries in this year's seed art competition feature marriage equality themes—responses to the coming election when Minnesotans will decide whether or not to enshrine discriminatory marriage laws into our state constitution. It's safe to say: Minnesota's seed artists want you to vote "No".
"Everything you never wanted to know about the mites that eat, crawl, and have sex on your face". How can you say, "No", to that headline?
Ed Yong has a great post up today at Not Exactly Rocket Science about Demodex folliculorum and Demodex brevis, two species of mites which spend their entire lives on human skin. Humans aren't born with these mites. But by the time you are 40 years old, it's almost guaranteed that you are playing host to a few of them.
The bad news: They are having sex on your face.
Their favourite hook-up spots are the rims of your hair follicles. After sex, the female buries into the follicle (if it’s D.folliculorum), or into a nearby sebaceous gland (if it’s D.brevis). Half a day later, she lays her eggs. Two and a half days later, they hatch. The young mites take six days to reach adulthood, and they live for around five more. Their entire lives play out over the course of two weeks.
The good news: They don't poop—in fact, they don't even have an anus.
The bad news again: All that waste just builds up in their bodies. Demodex are, by nature, chronically constipated. Only after they die, and their bodies disintegrate, do they finally get to let it all go. All over your face.
Exit signs are so ubiquitous that they're almost invisible. Every public building has them. In fact, they are so common that, taken together, these little signs consume a surprisingly large amount of energy.
Each one uses relatively little electricity, but they are on all the time. And we have a lot of them in our schools, factories, and office buildings. The U.S. Environmental Protection Agency estimates that there are more than 100 million exit signs in use today in the U.S., consuming 30–35 billion kilowatt-hours (kWh) of electricity annually.
That’s the output of five or six 1,000 MW power plants, and it costs us $2-3 billion per year. Individual buildings may have thousands of exit signs in operation.
To put this into a bigger context: This is just one small part of what makes buildings, in general, incredibly energy intense. In the United States, we use more energy powering our buildings—from the lights, to the heating, to the stuff we plug into the walls—than we use to do anything else. Because of that (and because of the fact that electricity is mostly made by burning coal or natural gas) buildings produce more greenhouse gas emissions than cars.
Dan Provost and Tom Gerhardt are enthusiastic fellows. The makers of the Glif iPhone tripod adapter and Cosmonaut stylus for capacitive touch screens, you can't help but get a contact high from the joy they get out of designing stuff and running a company. I've met and spoken to them several times, and I always end up feeling pumped up about charting one's own course in life.
Glif famously started as a Kickstarter project when the two guys still had full-time day jobs. It was an early success story of crowdfunding, raising far more than they'd set as a goal, and led to them starting a company called Studio Neat, which now has a four-product line-up.