In Der Spiegel, Friederike Ott polls Europe's photographers on their increasingly desperate quest to find compelling images to use in illustrating stories about the Eurozone crisis. Taking pictures of distressed Euro coins isn't cutting it anymore.
"It is difficult to keep finding a new approach," he says. "I'm glad the euro coins have different designs in each country. That makes it possible to vary things at least a bit."
Lighting effects can help. "A euro coin that is half in shadow immediately looks far more dramatic," he says. When Spain and Italy came under pressure in financial markets a few weeks ago, Stratenschulte lit sparklers and placed them behind two euro coins standing on their edges. The head of King Juan Carlos and the Leonarda da Vinci's Vitruvian Man stood in a sea of sparks.
Update: In the comments, Sagodjur nails it:
To paraphrase Orwell:
"If you want an illustrative photograph of the European debt crisis, stage a scene involving a one-percenter's Testoni dress shoe stamping on an impoverished human's face - forever."
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