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In Letterspace, No One Can Hear You Kern

Glenn Fleishman at 7:56 pm Tue, Sep 11, 2012

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We spent $2.5 billion to put Helvetica Arial on Mars (and incidentally, an SUV-sized robotic science rover), and yet not a cent was devoted to kerning. The Curiosity rover carries a calibration target for its Mars Hand Lens Imager (MAHLI), an adjustable focus camera designed to take close-up pictures. It's one of 17 cameras on the rover, but it's the only one that has its own target for testing a photo against known colors, brightness, and scale. (​Update: ​The sundial on top of the rover has color swatches for the mast cameras.)

But as a former typesetter, I had to poke fun at the kerning in the word "Target", where the "a" in any design software would be neatly tucked underneath the "T". NASA is old-school in type, too, as this is Helvetica, not Helvetica Neue.​ (Update! Readers note this is Arial, as the angle terminators on the upper-case C give it away! Go, go, Microsoft fonts!)

The calibration target includes a 1909 penny as a homage to the practice of using a coin for scale in images. One of the scientists bought the penny from the first year Lincoln appeared on its front, and sent it on its merry mission. The target is now lightly dusted with Martian soil, but still useful for its purpose.

A full size image is available from NASA.

Glenn Fleishman, @glennf, is the Executive Editor of The Magazine, a fortnightly electronic periodical for people interested in everything. Glenn also hosts The New Disruptors, a podcast about connecting creators and makers to their audiences, and writes as “G.F.” at the Economist's Babbage blog. He is a regular panel member on the geeky media podcast The Incomparable. In October 2012, Glenn won Jeopardy! twice.

MORE:  calibration • curiosity • helvetica • kerning • Mars • penny

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  • kjoonlee

    Maybe it was made with Inkscape for Windows, which has had this exact bug for many years.

    I hear it will be fixed for the next version.

  • oldtaku

    And the first self-portrait they took with MAHLI was the fat girl angle shot.

    Perhaps they should work with Apple on this, but then the target would be immaculately typeset with chintzy stitched fake leather.

    [/total snark, I <3 Curiousity]

  • Ashley Yakeley

    No, that’s Arial. Look at the way the C, S, a, t terminals are not quite horizontal.

    http://ilovetypography.com/2007/10/06/arial-versus-helvetica/

  • http://twitter.com/sentientmeat Lex

    Arial, not Helvetica. Check out the top of the -second- t in Target.

    • http://blog.glennf.com/ Glenn Fleishman

       You are totally right. I even checked characters against Helvetica and Helvetica Neue, but I missed the angle terminators on the C, etc.

      • Stickarm

         This is a good example of Muphry’s Law:
        http://en.wikipedia.org/wiki/Muphry%27s_law

  • http://twitter.com/ke4dyx TPAktsne

    Anyone know the meaning of the characters inside the zero of the “1.0″?

    • http://jere7my.livejournal.com jere7my

      They are gamma-delta-beta-gamma. A Google search suggests a possible Caltech origin: “…another quadgraph, a lowercase Greek gamma-delta-beta-gamma. This is known to have originated during the 1970s when a Caltech security guard responding to some campus antics was overheard saying that it must be the ‘God Damn Blacker Gang’,” referring to Blacker Hovse: “…one of 8 undergraduate houses at Caltech. The closest description is a non-greek, co-ed fraternity.”

      • ROSSINDETROIT

        So we put swears on Mars?  Actually I approve of that in this case.

      • SamLL

        I was a member of Blacker House. GDBG is a long-running inside joke / signature for the House – sort of a customized “Kilroy was here” – running slightly behind Dabney House’s DEI. Actually I think the closer analogy to Caltech’s undergrad houses these days is the student houses in Harry Potter.

    • grimc

      Found it! Caltech student house.

      Why Gamma Delta Beta Gamma?
      In the late 1970s Blacker was heavy into elevator trolling and keys. One day a few Moles lead by Charles Scott Reynolds (fr: 1975) were sitting on top of an elevator. Some security guards came in and happened to use that elevator. The guards were complaining about something that the “God Damned Blacker Gang” had done (contemporaries confirm that it was “Gang” and not “Guys” as some versions of the story have mentioned). So the next Blacker RF was signed with “Gamma Delta Beta Gamma”…

  • grimc

    Anyone know what the 4 Greek letters inside the zero mean? I think it’s gamma-delta-beta-gamma.

  • annomination

    I would like to know what the “gamma delta beta gamma” inside the largest zero stands for. Oooh… intrigue!

  • annomination

    More info and a picture of the whole calibration target at the following link: 

    http://www.nasa.gov/mission_pages/msl/news/msl20120207.html 

  • http://profiles.google.com/chudez Ted Bautista

    relevant xkcd: 
    http://xkcd.com/1015/

    “if you really hate someone, teach them to recognize bad kerning”

    • http://www.jimdraws.com Thorzdad

       I can’t begin to voice how true that actually is.
      I have over 30 years of professional typesetting and design under my belt and it seems that simply walking down the street becomes more and more annoying with each passing day.

      • http://profiles.google.com/chudez Ted Bautista

        oh  y ou  poo r  th in g =(

  • http://profiles.google.com/carboncow robert feller

    yawn…non-story but you type nerds have fun why us NASA guys land shift on different planets…

    • http://www.nathanhornby.com/ Nathan Hornby

      Does landing a shift on a planet capitalise it?

      • http://blog.glennf.com/ Glenn Fleishman

         Marvin says alt? Shift! Delete!

    • OgilvyTheAstronomer

      Why you NASA guys land shift on different planets?

  • geekd

    And this is why typesetters don’t get invited to parties.

    • http://www.zazzle.com/InfinitudeTortoises* An Infinitude of Tortoises

       That and because they’re pretty much extinct as a profession….

      • http://blog.glennf.com/ Glenn Fleishman

         I collect obsolete professions. I was a typesetter and now am a journalist.

        • Donald Petersen

          What’s next?  Cooper, flenser, fletcher, soda jerk, stenographer, carhop, pinsetter, lamplighter?

          I used to want to be a dramaturge, but I can’t imagine it’d pay the rent.

          • Antinous / Moderator

            The person who laid out the text that came from the typesetter was called a stripper.

          • http://blog.glennf.com/ Glenn Fleishman

            Night-soil collector seems the most interesting of the bunch.

          • ewiebe

            My wife was a stripper (this kind) for several years. We always enjoyed telling people. I suspect they tired of the joke pretty quickly.

          • Antinous / Moderator

            Yeah, I got to tell people back in the 70s that my boyfriend was a stripper.

  • http://twitter.com/rinetguy Random Internet Guy

    Space-Penny.

    • EH

      They couldn’t get an S VDB?

  • sean nelson

    The dullest folks of all- font nerds.

    • http://www.zazzle.com/InfinitudeTortoises* An Infinitude of Tortoises

       Yep, so many folks regard Donald E. Knuth as a paragon of drabness.

    • http://daruiburns.tumblr.com/ Dlo Burns

      Technically it should be type geeks.

      • http://www.zazzle.com/InfinitudeTortoises* An Infinitude of Tortoises

         Not type nerds?

  • http://imcravingpresidency.tumblr.com/ SedanChair

    Arial is NASA’s way of saying “Typefaces? Sorry, we’re a little busy going to space“

    • renke

      and CERN’s presentation lettered in Comic Sans was saying “go fuck yourself”?

    • benher

      Nah, if they really wanted to rub it in, they would have mixed in Papyrus with Comic Sans

  • http://www.zazzle.com/InfinitudeTortoises* An Infinitude of Tortoises

    I would hate to think that they hefted an entire penny all the way to Mars — as opposed to the topmost few microns of it.  How massively spendthrift that would have been!

    Anyhow, what typeface do we want to send to Mars?  Futura Extra Bold?  Optima?  The floor is open.

    And I close with this: “LT. WATAVA was fond of kerning”.

    • http://daruiburns.tumblr.com/ Dlo Burns

      Akzidenz-Grotesk

    • Antinous / Moderator

      I would hate to think that they hefted an entire penny all the way to Mars — as opposed to the topmost few microns of it.

      It just illustrates the lengths that we have to go to to prevent copper theft.

    • dculberson

       ”Anyhow, what typeface do we want to send to Mars?”

      Clearly Bauhaus.

    • grimc

      The answer seems obvious.

      • http://blog.glennf.com/ Glenn Fleishman

         Win.

  • signsofrain

    It’s hard for me to describe how much I hate fonts, and discussing their minutiae. Fellow IT people who’ve had to service departments full of graphic artists will understand what I mean.

    • Ryan_T_H

      Then I guess you wandered into the wrong article. I, and everyone else who designs graphics/text, need to pay attention to this kind of thing. Because the rest of the world generally only notices when we screw it up.

      You might loath thinking about fonts. But I bet you notice quick if the menu at the restaurant is hard to read due to crappy font and layout.

      • BillStewart2012

        I go to a lot of ethnic restaurants.  Random spellings and obviously-non-native-speaker word choices win out over font and layout problems.  (E.g. “loath” and “quick-without-ly” :-)

    • Antinous / Moderator

      You don’t have to know anything about fonts or kerning to find the space between the T and the a unsettling.  It’s just wrong.

      • http://ok-cleek.com/blogs cleek

         i could stare at that picture all day and never notice the space after the T.

        kerning-sensitivity must be some kind of rare affliction, like perfect pitch or cilantro-soap-mouth.

        • http://www.jimdraws.com Thorzdad

           No. It’s called taking care of the details like a pro. It’s like writing clean, efficient code. Sure, the sloppy code will probably run just fine, but a craftsman will take the time to clean their code up. It’s a point of pride.

        • http://blog.glennf.com/ Glenn Fleishman

          The point of graphic design and typography isn’t to make subtle things obvious. Rather, it is to make sure the fine points are so well executed that they carry that sense to normal people who don’t look for such things. It’s like looking at beautifully made cabinetry in a kitchen, and while one might not be able to explain or appreciate the specific reasons why it looks great, the craftsmanship is apparent and carries the knowledge of quality.

          Fundamentally, type that is set well and with care is easier to read, too.

          • http://ok-cleek.com/blogs cleek

            Rather, it is to make sure the fine points are so well executed that they carry that sense to normal people who don’t look for such things.

            so the assumption here is that people who don’t look for these things are nevertheless deeply aware of them?

            keep in mind that the text in question is entirely superfluous; there is absolutely no reason for there to be any text whatsoever there. it is essentially graffiti. that text will never again be read by anyone . and it will only be seen by a digital camera on the articulated arm of a robot, the operators of which are not at all interested in text.

            getting that text to Mars is the accomplishment. the 0.03″ spacing between those letters is irrelevant.

          • http://blog.glennf.com/ Glenn Fleishman

            Cleek, there is a thing known as “humor” and “juxtapositional irony” that perhaps might be found in a lexicon.

            “that text will never again be read by anyone”: Viz., photo.

      • SummerFang

        Oh, but when we point out spelling or grammer mistakes, we’re accused of pedantry.

    • http://www.nathanhornby.com/ Nathan Hornby

      I suppose it’s a lot more satisfying managing Microsoft office licenses than a font server.

    • http://www.jimdraws.com Thorzdad

       Then don’t discuss them. Problem solved.
      Every profession has their minutiae that the pros have to pay attention to. That’s what makes them valuable pros. That you arrogantly devalue what you don’t understand doesn’t make it any less important.

    • http://www.facebook.com/people/Shane-Simmons/100000053744641 Shane Simmons

      I’ve actually done both.  If you’re annoyed that your users require decent typefaces–and clearly you are, since you “had to service” machines used by a graphic arts department–vacate your position to make room for someone who actually gives a damn about doing a good job.

  • 10xor01

    Given that it’s NASA, I would have expected a fixed width terminal font.

    • http://blog.glennf.com/ Glenn Fleishman

       Avoid the use of “terminal” in connection with rocket launches.

  • Gabriel Meister

    Would be funny if we started receiving a Morse code signal through SETI that repeated: “LOL LEARN TO KERN, BRAH!  LOL LEARN TO KERN, BRAH!  LOL LEARN TO KERN, BRAH! …”

  • Ron Hipschman

    Actually, there is another color target that the 7 cameras on the mast can see. The color chips are on the corners of the sundial which is mounted on the top deck of the rover midways from from to back on the right side.

    • http://blog.glennf.com/ Glenn Fleishman

      Interesting! NASA’s mission site describes only two calibration targets (this one and an X-ray detector one), but I find this Popular Science article with details of the sundial: http://www.popsci.com/science/article/2012-08/how-mars-rover-curiositys-sundial-will-help-rover-see-mars-living-color

      Oddly, I can’t find any detailed information on NASA’s various sites about the sundial.

  • cegev

    It seems quite likely that Arial and bad kerning were employed specifically to annoy people who notice such things.

    • ImmutableMichael

      I can’t tell you how much I wish this was true. If there is a conspiracy to subtly annoy font nerds just teach me the goddamn handshake….

  • social_maladroit

    You, sir, should be ashamed of yourself. As the British would say: “Honi soit qui MAHLI pense.”

  • Raum187

    “As a former typesetter”. And yet, unable to distinguish between Arial and Helvetica??

    Bull.  Never happened. Someone fed you some link-bait! Those fonts are nothing alike! This is horse shiFt.

    • http://blog.glennf.com/ Glenn Fleishman

      Arial and Helvetica have a number of features in common, as can be evidenced by several sites that compare features or offer “tests” to see if you can guess which of two chunks of type is Arial and which Helvetica. I checked several features on many lowercase letters, but missed the telltale C.

      I was a typesetter for several years two decades ago, and have worked extensively with type for 30 years. Arial and Helvetica still get me.

  • http://www.geekforce.com Hugh Johnson

    When this thing gets found by intergalactic travelers in about a million years, they are going to have a giant alien “WTF?” moment because of that penny.

  • Tim Warman

    Any real geologist will tell you you NEVER use coins for scale, since a scale by definition is something whose size is universally and instantly understood. As a rough guess, there’s probably an order of magnitude range in the diameter of coins in circulation across the world.

    • fuzzyfuzzyfungus

      Given that, until pretty recently, the only difference between the definition of a ‘meter’ and the definition of a ‘penny-width’ was that one was an object made from platinum/iridium alloy by the French and one was an object made from copper by the Americans, I’m not seeing the major issue with using one for scale…

      The world has all sorts of wacky coins out there; but US pennies are of reasonably fixed size, minus circulation wear-and-tear.

  • User 100

    I’m sorry, but that’s actually some pretty well kerned text on that display (and I worked 8 years for a type foundry whose main selling point was their impeccable kerning).
    Considering that it’s a pretty heavy font, and the display is fairly small, all you would end up with if you kerned the “Ta” much tighter would be a big blob of “ink” (as the blown up image above is significantly bigger than it is in reality, it’s not really representative of how it would appear at a 1:1 scale).

    • http://blog.glennf.com/ Glenn Fleishman

       No one who worked for a type foundry would claim that this was kerned at all; and the letterspacing is quite broad. The “Ta” pair has plenty of room to tighten without creating a blob, given all the type here is essentially perfectly reproduced. There’s no spreading or blurring.

    • http://profile.yahoo.com/4FDXWSJGY2DPH5M6SO2OJ5TRRI Youkai

       It does look a lot better than what you would get if you simply opened up Word and typed out those letters in Arial.

  • James Mason

    1909 penny – in 100,000 years there will be a conspiracy theory wide enough to drive a truck through regarding when this curiosity was actually sent to Mars.

    • http://ok-cleek.com/blogs cleek

      … if they can get past the “T……..a” mystery.

  • duncancreamer

    I feel your pain. This is my old licence plate: http://www.flickr.com/photos/creamaster/1003039048/

    Also the parenthese are too high in (MAHLI)

  • tedder42

    you mentioned the  sundial, but did you know Bill Nye was involved on all the mars sundials? See his TED talk, Nerdist podcast, etc. http://en.wikipedia.org/wiki/MarsDial

  • http://pulse.yahoo.com/_6UJRZI44ZUZORL4L56SDPMZD7I Bazinga!

    The penny’s date of 1909 was chosen because that was the original launch date of  the MSL mission before it was delayed.  By that time, the target with its coin in place had already been made.  This I heard in a JPL teleconference when someone asked the significance of the 1909 date.

  • ewiebe

    Since this is a story about being (overly?) fussy about something almost no actually notices or cares about I will tell you all that “a homage” hurts my head when I see it.