Last month I asked my friends to write about books they loved (you can read all the essays here). This month, I invited them to write about their favorite graphic novels, and they selected some excellent titles. I hope you enjoy them! (Read all the Great Graphic Novel essays here.) -- Mark
Alan's War: The Memories of G.I. Alan Cope, by Emmanuel Guibert
As far as World War II stories go, Cope’s story is far from spectacular. Wonderfully so.
Expect none of the heroics or ego associated with traditional combat tales. Instead, welcome a sit down chat with a friend who will, frankly and intimately, carry you along through a soldier's attempt to find meaningful friendships and rich experience while navigating a tedious, banal, and rootless military career.
I know that may sound dreadful, but it is not.
Despite the limitless digital access that I have to folks, ideas and inspiration I find myself yearning for the same things Cope longed for 60+ years ago -- little bits of beauty and a good friend or two to share them with. This book is both beautiful and friendly. After a day of being hit from a million directions for hours on end with stimulus, it is soothing to retire into a world where aside from the rare letter, a man lives in simple engagement with his immediate and tactile environment and with his thoughts.
The translation from French is highly conversational and Guibert’s technique of painting the page with water and allowing ink to bleed through the wet fibers result in illustrations that are loose yet elegant, cloudy and clear at the same time. Like memory.
Here’s a video of Guibert crafting a portrait of Alan Cope.
[Cory also reviewed this in 2008! -- Mark]
Alan's War: The Memories of G.I. Alan Cope
Brian Wood’s Starve, Volume One (collecting issues 1-5) was the best, meanest new graphic novel debut since Transmetropolitan; now, with Starve, Volume Two (issues 6-10), Wood brings the story in for a conclusion that is triumphant and wicked and eminently satisfying, without being pat.
I discovered The 13 Clocks by reading Neil Gaiman’s introduction to the 2008 New York Review of Books edition (which I found in The View from the Cheap Seats, a massive collection of Gaiman’s nonfiction), where he calls it “Probably the best book in the world” — how could I resist?
The View from the Cheap Seats, Neil Gaiman’s mammoth collection of nonfiction essays, introductions, and speeches, is a remarkable explanatory volume in which Gaiman explains not just why he loves the things he loves, but also what makes them great.
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