Features Podcasts Family Video Comics Music Tech Science Books Film & TV Games ✚

Jill

Interview with Ray Harryhausen

David Pescovitz at 9:12 pm Tue, Sep 25, 2012

— FEATURED —

Book Review

The Man Who Laughs: grotesque Victor Hugo potboiler was the basis for The Joker

Feature

Eurovision 2013: An American in London

Book Review

The Twelve-Fingered Boy - mesmerizing YA horror novel

— FOLLOW US —

Boing Boing is on Twitter and Facebook. Subscribe to our RSS feed or daily email.

 

— POLICIES —

Except where indicated, Boing Boing is licensed under a Creative Commons License permitting non-commercial sharing with attribution

 

— FONTS —

Tweet
Kindle

NewImage Here's a 1974 interview with SFX pioneer and "Dynamation" inventor Ray Harryhausen, whose stop motion magic brought to life such classic films as The 7th Voyage of Sinbad (1958), Jason and the Argonauts (1963), and One Million Years BC (1967). (via Dangerous Minds)

 
  • Ray Harryhausen tribute site with lots of good clips - Boing Boing
  • Every Ray Harryhausen stop-motion monster ever, in one video ...
  • Special Edition of The Original Ray Harryhausen Magazine on ...
  • Ray Harryhausen's Village People - Boing Boing

David Pescovitz is Boing Boing's co-editor/managing partner. He's also a research director at Institute for the Future. On Instagram, he's @pesco.

MORE:  animation • Entertainment • harryhausen

More at Boing Boing

Eurovision 2013: An American in London

The technology that links taxonomy and Star Trek

  • danimagoo

    You dropped an “h”.

    • Antinous / Moderator

      Fixed.

  • Art Carnage

    I got the chance to meet him briefly, back in 1981, at a preview screening of “Clash of the Titans”. Afterwards, he gave a talk on his career. He was an assistant on “King Kong”, and the had a nightmare trying to make adjustments to the model without disturbing the fur. They decided to explain the weird fur movement as Kong’s rippling muscles.  Once he reached a point in his career where he could call the shots, he never again animated a fur-covered creature. He brought some props, not only from “Clash”, but other films, including one of the skeleton warriors from “Jason and the Argonauts”. It took me back to when I was nine years old, seeing the film for the first time, and being dumbfounded when the skeleton warriors emerged from the earth. Afterwards, I managed to talk to him briefly, and get his autograph. Both it and the memory of the evening are treasured.

  • Tralala

    A better interview about stop frame animation
    http://www.youtube.com/watch?v=8YlEpI00ouU

  • puppybeard

    I know of a man, a friend’s colleague, who was nuts about special effects as a teenager, to the point where his mother took it on herself to write to Harryhausen asking for advice.

    He responded by having the young lad over for dinner with him and his wife. One of the things he told him was that he couldn’t simply teach him to do what he does, because every job is different, and new solutions were always needed, you need to be able to think on your toes.

    Yer man ended up working on Aliens, Jurassic Park, and a bunch of other pretty flippin cool special effects jobs.

  • Preston Sturges

    “Mars Attacks” was a loving tribute to “Earth Versus The Flying Saucers” 

    “20 Million Miles To Earth” is also a fine movie, and the creature sequences were well composed and edited.

    http://en.wikipedia.org/wiki/20_Million_Miles_to_Earth